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Authors: Christian Cameron

Tags: #Historical, #Fiction

Killer of Men

Also by Christian Cameron

THE TYRANT SERIES

Tyrant
Tyrant: Storm of Arrows
Tyrant: Funeral Games

OTHER NOVELS

Washington and Caesar

Killer of Men

 

CHRISTIAN CAMERON

Orion

www.orionbooks.co.uk

AN ORION EBOOK
First published in Great Britain in 2010 by Orion Books
This eBook first published in 2010 by Orion Books

Copyright © Christian Cameron 2010

The moral right of Christian Cameron to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988.

All characters and events in this publication are fictitious, except for those already in the public domain, and any resemblance to real persons, living or dead, is purely coincidental.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published without a similar condition, including this condition, being imposed on the subsequent purchaser.

A CIP catalogue record for this book is
available from the British Library.

eISBN : 978 1 4091 1192 4

Orion Books
The Orion Publishing Group Ltd
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5 Upper Saint Martin’s Lane
London WC2H 9EA
An Hachette UK Company

www.orionbooks.co.uk

For the Plataeans

These were urged on by Ares, and the Greeks by flashing-eyed
Athena, and Terror, and Rout, and Discord that rageth incessantly,
sisters and comrades of Ares, killer of men.

Homer, Iliad 4.440

Glossary

I am an
amateur
Greek scholar. My definitions are my own, but taken from the LSJ or Routledge’s
Handbook of Greek Mythology
or Smith’s
Classical Dictionary
. On some military issues I have the temerity to disagree with the received wisdom on the subject. Also check my website at
www.hippeis.com
for more information and some helpful pictures.

Akinakes
A Scythian short sword or long knife, also sometimes carried by Medes and Persians.

Andron
The ‘men’s room’ of a proper Greek house – where men have symposia. Recent research has cast real doubt as to the sexual exclusivity of the room, but the name sticks.

Apobatai
The Chariot Warriors. In many towns, towns that hadn’t used chariots in warfare for centuries, the
Apobatai
were the elite three hundred or so. In Athens, they competed in special events; in Thebes, they may have been the forerunners of the Sacred Band.

Archon
A city’s senior official or, in some cases, one of three or four. A magnate.

Aspis
The Greek hoplite’s shield (which is not called a hoplon!). The
aspis
is about a yard in diameter, is deeply dished (up to six inches deep) and should weigh between eight and sixteen pounds.

Basilieus
An aristocratic title from a bygone era (at least in 500 BC) that means ‘king’ or ‘lord’.

Bireme
A warship rowed by two tiers of oars, as opposed to a
trireme
, which has three tiers.

Chiton
The standard tunic for most men, made by taking a single continuous piece of cloth and folding it in half, pinning the shoulders and open side. Can be made quite fitted by means of pleating. Often made of very fine quality material – usually wool, sometimes linen, especially in the upper classes. A full
chiton
was ankle length for men and women.

Chitoniskos
A small
chiton
, usually just longer than modesty demanded – or not as long as modern modesty would demand! Worn by warriors and farmers, often heavily bloused and very full by warriors to pad their armour. Usually wool.

Chlamys
A short cloak made from a rectangle of cloth roughly 60 by 90 inches – could also be worn as a
chiton
if folded and pinned a different way. Or slept under as a blanket.

Corslet/Thorax
In 500 BC, the best
corslets
were made of bronze, mostly of the so-called ‘bell’
thorax
variety. A few muscle
corslets
appear at the end of this period, gaining popularity into the 450s. Another style is the ‘white’
corslet
seen to appear just as the Persian Wars begin – reenactors call this the ‘Tube and Yoke’
corslet
and some people call it (erroneously) the
linothorax
. Some of them may have been made of linen – we’ll never know – but the likelier material is Athenian leather, which was often tanned and finished with alum, thus being bright white. Yet another style was a tube and yoke of scale, which you can see the author wearing on his website. A scale
corslet
would have been the most expensive of all, and probably provided the best protection.

Daidala
Kithairon, the mountain that towered over Plataea, was the site of a remarkable fire-festival, the
Daidala
, which was celebrated by the Plataeans on the summit of the mountain. In the usual ceremony, as mounted by the Plataeans in every seventh year, a wooden idol (
daidalon
) would be dressed in bridal robes and dragged on an ox-cart from Plataea to the top of the mountain, where it would be burned after appropriate rituals. Or, in the
Great Daidala
, which were celebrated every forty-nine years, fourteen
daidala
from different Boeotian towns would be burned on a large wooden pyre heaped with brushwood, together with a cow and a bull that were sacrificed to Zeus and Hera. This huge pyre on the mountain top must have provided a most impressive spectacle; Pausanias remarks that he knew of no other flame that rose as high or could be seen from so far.

The cultic legend that was offered to account for the festival ran as follows. When Hera had once quarreled with Zeus, as she often did, she had withdrawn to her childhood home of Euboea and had refused every attempt at reconciliation. So Zeus sought the advice of the wisest man on earth, Kithairon (the eponym of the mountain), who ruled at Plataea in the earliest times. Kithairon advised him to make a wooden image of a woman, to veil it in the manner of a bride, and then to have it drawn along in an ox-cart after spreading the rumour that he was planning to marry the nymph Plataea, a daughter of the River God Asopos. When Hera rushed to the scene and tore away the veils, she was so relieved to find a wooden effigy rather than the expected bride that she at last consented to be reconciled with Zeus. (Routledge
Handbook of Greek Mythology
, p.137 – 38)

Daimon
Literally a spirit, the
daimon
of combat might be adrenaline, and the
daimon
of philosophy might simply be native intelligence. Suffice it to say that very intelligent men – like Socrates – believed that godsent spirits could infuse a man and influence his actions.

Daktyloi
Literally digits or fingers, in common talk, ‘inches’ in the system of measurement. Systems for measurement differed from city to city. I have taken the liberty of using just one, the Athenian units of measurement.

Despoina
Lady. A term of formal address.

Diekplous
A complex naval tactic about which some debate remains. In this book, the
Diekplous
or through stroke is commenced with an attack by the ramming ship’s bow (picture the two ships approaching bow to bow or head on) and cathead on the enemy oars. Oars were the most vulnerable part of a fighting ship, something very difficult to imagine unless you’ve rowed in a big boat and understand how lethal your own oars can be – to you! After the attacker crushed the enemy’s oars, he passes, flank to flank, and then turns when astern, coming up easily (the defender is almost dead in the water) and ramming the enemy under the stern or counter as desired.

Doru/Dory
A spear, about ten feet long, with a bronze butt spike and a spearhead.

Eleutheria
Freedom.

Ephebe
A young, free man of property. A young man in training to be a
hoplite
. Usually performing service to his city and, in ancient terms, at one of the two peaks of male beauty.

Eromenos
The ‘beloved’ in a same-sex pair in ancient Greece. Usually younger, about seventeen. This is a complex, almost dangerous subject in the modern world – were these pair-bonds about sex, or chivalric love, or just a ‘brotherhood’ of warriors? I suspect there were elements of all three. And to write about this period without discussing the
eromenos/erastes
bond would, I fear, be like putting all the warriors in steel armour instead of bronze …

Erastes
The ‘lover’ in a same-sex pair bond – the older man, a tried warrior, twenty-five to thirty years old.

Eudaimonia
Literally ‘well-spirited’. A feeling of extreme joy.

Exhedra
The porch of the women’s quarters – in some cases, any porch over a farm’s central courtyard.

Helot
The ‘race of slaves’ of Ancient Sparta – the conquered peoples who lived with the Spartiates and did all of their work so that they could concentrate entirely on making war and more Spartans.

Hetaera
Literally a ‘female companion’. In ancient Athens, a
Hetaera
was a courtesan, a highly skilled woman who provided sexual companionship as well as fashion, political advice, and music.

Himation
A very large piece of rich, often embroidered wool, worn as an outer garment by wealthy citizen women or as a sole garment by older men, especially those in authority.

Hoplite
A Greek upper-class warrior. Possession of a heavy spear, a helmet, and an
aspis
(see above) and income above the marginal lowest free class were all required to serve as a
hoplite
. Although much is made of the ‘citizen soldier’ of ancient Greece, it would be fairer to compare
hoplites
to medieval knights than to Roman legionnaires or modern National Guardsmen. Poorer citizens did serve, and sometimes as
hoplites
or marines, but in general, the front ranks were the preserve of upper class men who could afford the best training and the essential armour.

Hoplitodromos
The
hoplite
race, or race in armour. Two
stades
with an
aspis
on your shoulder, a helmet, and greaves in the early runs. I’ve run this race in armour. It is no picnic.

Hoplomachia
A
hoplite
contest, or sparring match. Again, there is enormous debate as to when
hoplomachia
came into existence and how much training Greek
hoplites
received. One thing that they didn’t do is drill like modern soldiers – there’s no mention of it in all of Greek literature. However, they had highly evolved martial arts (see
Pankration
) and it is almost certain that
hoplomachia
was a term that referred to ‘the martial art of fighting when fully equipped as a
hoplite
’.

Hoplomachos
A participant in
hoplomachia
.

Hypaspist
Literally ‘under the shield’. A squire or military servant – by the time of Arimnestos, the
hypaspist
was usually a younger man of the same class as the
hoplite
.

Kithara
A stringed instrument of some complexity, with a hollow body as a soundboard.

Kline
A couch.

Kopis
The heavy, back-curved saber of the Greeks. Like a longer, heavier modern Kukri or Ghurka knife.

Kore
A maiden or daughter.

Kylix
A wide, shallow, handled bowl for drinking wine.

Logos
Literally the ‘word’. In pre-Socratic Greek philosophy the word is everything – the power beyond the gods.

Longche
A six to seven foot throwing spear, also used for hunting. A
hoplite
might carry a pair of
longche
, or a single, longer and heavier
dory
.

Machaira
A heavy sword or long knife.

Maenad
The ‘raving ones’ – ecstatic female followers of Dionysus.

Mastos
A woman’s breast. A
mastos
cup is shaped like a woman’s breast with a rattle in the nipple – so when you drink, you lick the nipple and the rattle shows that you emptied the cup. I’ll leave the rest to imagination…

Medimnoi
A grain measure. Very roughly – thirty-five to a hundred pounds of grain.

Megaron
A style of building with a roofed porch.

Navarch
An admiral.

Oikia
The household – all the family and all the slaves, and sometimes the animals and the farmland itself.

Opson
Whatever spread, dip, or accompaniment an ancient Greek had with bread.

Pais
A child.

Palaestra
The exercise sands of the gymnasium.

Pankration
The military martial art of the ancient Greeks – an unarmed combat system that bears more than a passing resemblance to modern MMA techniques, with a series of carefully structured blows and domination holds that is, by modern standards, very advanced. Also the basis of the Greek sword and spear-based martial arts. Kicking, punching, wrestling, grappling, on the ground and standing, were all permitted.

Peplos
A short over-fold of cloth that women could wear as a hood or to cover the breasts.

Phalanx
The full military potential of a town; the actual, formed body of men before a battle (all of the smaller groups formed together made a
phalanx
). In this period, it would be a mistake to imagine a carefully drilled military machine.

Phylarch
A file leader – an officer commanding the four to sixteen men standing behind him in the
phalanx
.

Polemarch
The war leader.

Polis
The city. The basis of all Greek political thought and expression, the government that was held to be more important – a higher god – than any individual or even family. To this day, when we talk about politics, we’re talking about the ‘things of our city’.

Porne
A prostitute.

Porpax
The bronze or leather band that encloses the forearm on a Greek
aspis
.

Psiloi
Light infantryman – usually slaves or adolescent freemen who, in this period, were not organised and seldom had any weapon beyond some rocks to throw.

Pyrrhiche
The ‘War Dance’. A line dance in armour done by all of the warriors, often very complex. There’s reason to believe that the
Pyrrhiche
was the method by which the young were trained in basic martial arts and by which ‘drill’ was inculcated.

Pyxis
A box, often circular, turned from wood or made of metal.

Rhapsode
A master-poet, often a performer who told epic works like the
Iliad
from memory.

Satrap
A Persian ruler of a province of the Persian Empire.

Skeuophoros
Literally a ‘shield carrier’, unlike the
hypaspist
, this is a slave or freed man who does camp work and carried the armour and baggage.

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