At Knit's End (16 page)

With great effort comes great gratification. I will sometimes choose projects that will take a long time and be difficult.

 

Sanity calms, but madness is more interesting.

— J
OHN
R
USSELL

I
had a crazy aunt. This crazy aunt used to spend the whole year knitting wonderful, intricate pairs of mittens for me, my siblings, and my cousins. She made blue ones, red striped ones, ones with reindeer on them … there really was no end to the wonderment of mittens. Then she would box them up; half went to my cousins far away, and half to our family. There were so many in the box that during my entire childhood I never wore a mitten that came from anyone else.

It would have been a perfect thing, if only she weren't crazy. When she divided up the mittens, she would mail all the left ones to my cousins, and all the right ones to us.

I will remember, should I get a little weird in my old age, that this strategy does not (as she had hoped) promote family unity. Nobody will drive 400 miles to swap mittens.

 

Zeus does not bring all men's plans
to fulfillment.

— H
OMER

D
espite the best-laid plans, the most cautious and careful knitters, the most experienced knitters, and the ones who are clever at math have all been humbled by the same crushing experience. If you knit long enough, it will happen to you, no matter what attempts you make to avoid it.

Someday, somewhere, somehow, you will run out of yarn.

I will remember, when my day comes, that there is one magic word that can help: STRIPES.

 

Really we create nothing.
We merely plagiarize nature.

— J
EAN
B
AITAILLON

S
unlight dapples through green maple leaves at the park and gives me the perfect idea for a Fair Isle colorway. I'll use the greens in dark and light shades, the brown of the bark in the shade, and the gold of the branches in sunshine. I feel so artistic, like I'm connected to the great masters who painted scenes much like this. They mixed paints on their palettes, I'll pull yarn from the stash and shops, but we are all artists striving to re-create the natural world with our talents.

Two weeks later, as I'm desperately scrounging through the bins at the seventeenth yarn shop I've visited, I'm realizing that the exact lime green of sunlight striking the top leaves does not exist in the yarn world. I wonder whether I'm the first knitter to think that Michelangelo and van Gogh had it easy. They could mix the color they needed.

I will remember that every medium has its limits. Maybe I can't get the exact color I need, but Michelangelo would have had a hard time carving something that felt like angora.

 

It is a mistake to try to look too far ahead.
The chain of destiny can only be grasped
one link at a time.

— S
IR
W
INSTON
C
HURCHILL

E
specially for beginning knitters, a complex pattern can be daunting. You look at a pattern and are overwhelmed by the 46 rows in a lace pattern, or think that you are going to cry in public at some point during the short-row cap sleeve, or that you will lose hours of sleep gnashing your teeth and end up with only a tattered pile of knitted crap.

Before I cast aside my destiny (and a pattern for a spectacular lace coverlet), I will consider that all knitting, no matter how complex, how huge, or how intimidating, was knit one row at a time.

 

You know you
knit too much when …

You will check out a book
from the library just because
you heard that one of the
characters knits.

 

The only way to get rid of a temptation
is to yield to it.

— O
SCAR
W
ILDE

W
ith my wool as my witness I will swear that yarn emits resolve-impairing rays. There is no other possible explanation for why a perfectly normal woman like me can go into a yarn shop determined to buy only a set of double-pointed needles and leave with 18 skeins of blue wool, a shawl kit, two books, and a quirky self-patterning sock yarn.

I will support all attempts by science to explain this effect.

 

The statistics on sanity are that
one out of every four Americans
is suffering from some form of
mental illness. Think of your three
best friends. If they're okay, then it's you.

— R
ITA
M
AE
B
ROWN

O
ne of the most interesting things about knitting is that it causes a delayed sense of clarity. A knitter can stand in a yarn shop and plan, purchase wool for, and explain to friends her plan to knit a cover for a king-size bed out of fingering-weight yarn using 3mm needles and not ever once, even for a moment, consider that insane until after she has started the project.

I will remember, should my friends in the yarn shop giggle as I purchase my wool, to run a quick “sanity check” on my idea.

 

The art of being wise is the art of
knowing what to overlook.

— W
ILLIAM
J
AMES

I
am done with the back of my friend's sweater. My friend is 6'4” and … er, robust … and it is only through sheer will that I have knit the front and endless sleeves. It may have been a tactical error to make those allover cables in black; in fact, trying to see the cables has been at times staggeringly difficult, and if I ever am completely blind, I'm going to know which sweater to blame. Suddenly, I see it. At the bottom of the sweater there is one miscrossed cable. I feel nauseous and the world swirls around me in darkening circles as I think about reknitting the entire back. I know I'll never be able to live with the mistake.

I will remember, should I ever find myself in a similar situation, that I don't have to live with the mistake at all. I can sew the thing up and give it away.

 

Experience is something you don't get
until just after you need it.

— S
TEVEN
W
RIGHT

W
hen I was six, I spent an afternoon in my grandmother's garden with my needles, yarn, and what I thought was a darned good idea. It occurred to me that I could save myself all kinds of time while knitting if I didn't have to turn my work at the end of each row. When I had it completely figured, I traipsed up to the house, found my Nana, and showed her my incredible invention — backward knitting. My very proper Nana said this was simply “not how it was done.” Chastised, I returned to conventional frontward knitting, and it wasn't until last night when I was working on a five-stitch strap that I remembered. I could have been really good at that by now.

I will not let anyone tell me what a good knitting idea is.

 

Find something you're passionate about and
keep tremendously interested in it.

— J
ULIA
C
HILD

I
know a knitter whose husband is starting to worry a little because his wife appears to have become completely obsessed with a movie star. At least, that's what he thinks, because she has rented the same movie about 15 times just so she can stare intently at the male lead. I know better; she has confessed that she's actually obsessed with the sweater the guy's wearing and has been trying to puzzle out the pattern for months. She hasn't told her husband because she's worried that he will think she's completely out of her mind.

Consider that your husband might actually be relieved that you are oddly drawn to a sweater, rather than believing that his wife has developed a completely unhealthy attraction to a 19-year-old.

 

Love is always bestowed as a gift —
freely, willingly and without expectation.
We don't love to be loved; we love to love.

— L
EO
B
USCAGLIA

I
n every knitter's stash there are a few skeins of yarn that were purchased with absolutely no purpose in mind. The knitter knows, though she may never admit it, that this yarn isn't looking for its destiny either. It will never, ever be knit. Its sole purpose in the knitter's life is to be beautiful and to be loved.

This yarn and its role are perfectly normal, though a knitter should understand that other knitters will mock her, much as we sometimes mock the older man who marries a young lovely, for having acquired “trophy yarn.”

 

A home without books is a body without soul.

— C
ICERO

T
his quote applies as well to knitters as it does to scholars, poets, and writers. The knitter's urge to procure and hoard a lifetime supply of yarn is only one side of the obsession with knitting. The other is a profound and deep need to buy an incredible number of books, patterns, magazines, and newsletters that talk about yarn, knitting, and the ways of needles.

Although the mountains of written material most knitters have in their homes would seem unnatural and odd, it is only the normal extension of a deep interest in knitting and the human desire to better oneself in one's chosen art.

That, and the pictures are pretty.

 

Reality is the leading cause of stress
for those in touch with it.

— J
ACK
W
AGNER

M
ost of the stress associated with learning to knit is not caused by knitting but by an inability to fix errors. Pity the poor knitter who can't fix a mistake; every time she makes one, she has to start her project over. Wise knitting mentors teach students at the first sitting to pick up a dropped stitch so that they are not living in paralyzed fear of a little woolen loop that has broken free of the needle.

Consider telling those you teach that no matter how it feels to the new knitter, a dropped stitch has never actually caused stroke, heart failure, or a world war.

 

You know you
knit too much when …

You are so excited about the
yarn you just bought that
you buy new size 5 knitting
needles (even though you
have nine pairs at home)
so that you can start your
project on the bus ride home
from the yarn shop.

 

Learning without thought is labor lost;
thought without learning is perilous.

— C
ONFUCIUS

L
earning to do cables without a cable needle is a liberating feeling. Once you have mastered the technique, it is faster, easier, and more efficient.

Should I feel reluctant to learn this technique, I will remind myself of how inevitable it is that I will lose my cable needle anyway.

 

A fool and his money are soon partying.

— S
TEVEN
W
RIGHT

I
don't know what it says about me that if I get a little money, and I want to go nuts and have a really good time … enjoy a real blowout celebration, cut loose, go wild, and lose all my inhibitions … that I will go to the biggest, wildest, fanciest yarn shop in town.

I will celebrate the happy events of my life in a way that makes sense to me, and besides, yarn has more staying power and less of a hangover than tequila does.

 

Sculpture is the art of the intelligence.

— P
ABLO
P
ICASSO

I
t is an incredibly charming and clever trick that knitting is one long piece of string. It is not like building blocks or bricks, made up of individual pieces, but more like sculpting in clay, where the material is shaped by your intentions and creativity.