She parked the bike and made her way toward the pillars, flashing her warrant card at the security guard on the main door.
The boy was obviously after answers. Professor Blacker had visited Dartmoor High and given them a lecture on khipus. She would wait in the library. Blacker didn’t have to know anything more than that they were looking for a runaway boy. And when Max Gordon turned up, she would be there. She wasn’t going to risk losing him—it appeared he was a tough little rat.
Max angled his way through the narrow lanes. He had checked the city street map earlier, but the crisscrossing alleyways still caught him out. He needed a quick fix on his direction. He looked up to the rooftops. Television satellite dishes in the UK point south. He was on track. Moments later he found the small Museum Street, and at the end of it was the imposing building he was searching for. The huge pillars proclaimed the building’s status—a seat of civilization and knowledge.
There were still people about, even though it was getting late. He took his time, found a darkened area behind one of the huge pillars and looked around. Security guards lingered
at the main entrance, a few tourists huddled in small groups and academic-looking types flitted across the main yard toward the east end of the building. That was where the offices were. Was the man he’d come to see in there?
He unfolded the city tourist map. There were more than thirteen acres of buildings, and the place he wanted was not shown. He did not have time to search for it. They would be closing the doors to the public in less than half an hour. Max approached a security guard.
“I’m looking for the Anthropology Library,” he said.
The man, used to questions all day, simply nodded, pointing through the huge main doors. “Across the central hall, through room twenty-four, down the north stairs. It’s there. And it’s about to close,” he warned.
Max was already moving. A massive Roman lion built of stone, standing meters high, guarded the entrance. Maybe it once stood at the gates of the Colosseum, watching bloody fights to the death. He moved into the building’s central hall. It was vast, the size of Wembley Stadium. Max hoped there were no modern-day gladiators waiting to attack him.
The skeleton framework forty meters above his head supported the glass ceiling, but the opaque glass now stopped any semblance of city lights coming through. A honeycomb roof, trapping everyone below. Max felt like a worker bee desperately trying to complete his task. Huge wooden doors stood open before him. Other side rooms were being closed by the security staff, heavy chains and padlocks rattling through handles, securing interleading glass doors. Max lengthened his stride. He dared not miss this meeting. He ran through the
gallery, past the exhibition cases. The room was labeled
LIVING AND DYING
. He hoped that wasn’t a bad omen.
Max found the north stairs. The last few tourist stragglers were making their way out of the building’s rear entrance. Another security guard stood ready to lock up. Max had left it too late. The glass doors to the library were on his left and they were locked. Max rattled them. A keypad was the only way in. There were still lights on inside, but no sign of anyone.
“Hey!” the security guard called. “It’s closed.”
“I have to see someone. I have an appointment. He’s expecting me.”
“Not at this time of night, son. C’mon. Think you’d better be off.”
Desperation triggered a surge of energy. Max rattled the glass doors, pushed his face against the slim join between them and shouted into the book-filled room. “Please! It’s Max Gordon! I must speak to you!”
“All right! That’s enough.” The security guard moved quickly toward him. A shadow appeared behind Max. An older man, wispy hair unkempt, wearing a rather dilapidated jacket over a faded cardigan, unlocked the door.
“Evening, Freddie,” he said to the guard. “My fault. Entirely my fault. I was expecting this young man.” He waved the guard away in gentle dismissal. As he ushered Max into the library, Max noticed there were crumbs clinging to his front; some lay captured by the spectacles hanging from a cord round his neck.
“I was just having an Eccles cake and a cup of tea while perusing an extremely boring unpublished manuscript on the
elongated shape of Mayan heads. The writer thought such deformed heads indicated they were originally extraterrestrials. Any fool knows they bound their children’s heads to misshape them.” He brushed a crumb from the corner of his mouth. “I
was
expecting you, wasn’t I?”
“Yes, sir. My name is Max Gordon, and I wanted to talk about Danny Maguire.”
The old man straightened up. Any guise of dreamy forgetfulness suddenly cleared from his eyes.
“And you have brought the khipu with you?” he asked eagerly.
Charlie Morgan watched Professor Blacker stack manuscripts and files into the crook of his arm. He switched off the library lights and made his way to the door where she waited.
“I think you may have wasted your time, Officer,” Blacker told her as he clicked the door closed. “I doubt this boy you’re looking for is coming here. Certainly not tonight.”
“And he has made no contact with you?” Morgan said.
“None. Bit of a wild-goose chase by the sound of it. Well, I’d better be off. Papers to mark before tomorrow. Good night.”
Morgan gnawed her lip. Max Gordon would have been here by now.
“He’s fooled us,” she muttered to herself. “He’s laid a false trail. Where is he?” She called after Blacker, “Professor, is there another academic who might know about khipus?”
* * *
London groaned and coughed with the millions of people who lived, worked and visited. Dozens of languages whispered in the back alleys, called to friends, shouted in argument or promised undying love to another.
But where Max sat in the Anthropology Library of the British Museum, all was quiet. The museum had closed; the lights had flickered down, leaving shadows of giant statues watching blindly over the great halls.
Sayid had done his homework, just as Max had asked. He’d hacked into the school’s mainframe computer and found the man who had sponsored Danny Maguire’s request to spend a couple of years in South America: Dr. Raymond Miller, curator of South American ethnography at the British Museum.
When the efficient and threatening Ms. Morgan had swept quickly through Max’s files at Dartmoor High, she had seen no mention of the curator’s name. It had been tucked away in a cyber-vault by a fourteen-year-old boy who felt a warm glow at getting his own back.
“Khipus are devilishly difficult to decipher,” Dr. Miller said as he fingered the knotted cords. “Some of them are the size of grass skirts. Huge things. The main cords can often be five or six meters long. Specialists have spent years and years getting to grips with the messages they hold. But this one …” His fine-boned fingers teased the cords apart. “This is quite simple. It is, I should say, not genuine, but made, I am sure, by our young friend Danny Maguire.”
“Then he
was
trying to tell me something,” Max said.
“It is crude and amateurish, but that is not a criticism. It is a fact. One could expect little else, but it was a clever thing to do. Young Maguire must have known there were people wanting this information—why, we cannot say—so he did his best. Bless him. I liked that boy.”
Max could barely restrain his impatience. The academic was taking so long to tell him anything, but he did not want to rush the elderly man, desperately hoping his knowledge would be the key.
Dr. Miller rambled on about how a khipu’s main cord was always thicker than the pendants tied on to it. How the different knots meant different things, how the colors dyed into the knots were significant.
Come on
!
Tell me
! Max shouted in his head, but sat on his hands in case his irritation began to show.
Fancy loops and dangles, entwined knots and subsidiary cords all made up a fascinating and confusing intricacy from an ancient people who were thought to be illiterate. Not so, Dr. Miller assured him. Finally he gave a sigh and a grunt of understanding at what lay between his fingers. He pushed his spectacles back up the bridge of his nose. He looked at Max and saw the boy’s controlled agitation.
“Forgive me. I’ve been going on, haven’t I? I’m sure you don’t want an anthropological explanation of khipus’ origins. This is important to you; I can see that. Look here, these knots are stained red. Traditionally that means ‘soldiers’ or ‘armed men.’ The arithmetic is simple. Each knot means ten; joined knots like these three mean thirty. Thirty armed
men—here.” He fingered another knot. “A temple. These other knots denote men and women. These mean clusters of children. Or so it would seem. One can never be certain. Khipus guard their knowledge like sacred secrets.”
Max tried to picture the message in his head. Armed men near a temple where there were women and children. Though it seemed the children were separate. What did this have to do with his mum?
“Danny was trying to tell me something about my mother. But she was nowhere near Peru, where Danny was studying. She was in Central America.”
“Is this about your mother?”
“I think so. I hope so.”
“Where is she now?”
“She’s dead.”
Dr. Miller grunted. “Oh, I see.”
Max pulled out the photos taken of his mother in the rain forest. “These are the only clues I have.”
The professor settled his glasses and quickly thumbed through the pictures, then handed them back to Max. “Right, come on. I’ll show you something.”
He ushered Max back into the corridor, up the stairs that led out onto Montague Street and through the room Max had crossed to get to the library. It was dark now, except for the exhibits’ distorted shadows looming grotesquely up the walls.
The interleading doors to each of the galleries left Max’s head spinning. He was losing all sense of direction. Even though he followed Dr. Miller’s rapid footsteps, it felt as though he was being led into a labyrinth. A moment of regret tugged at him. He wished he’d picked up a museum map
from the visitors’ desk.
Don’t go blindly into a place of danger. Wherever possible, know your ground
—Dad’s words as he once pointed out a difficult route on a map.
That’s what maps are for
. Max’s thoughts swirled. His dad hadn’t needed a map when he ran away and left his wife to die!
Dr. Miller stopped. Breathless, he tapped his chest. “Indigestion. Too many cakes,” he said, then fumbled a small bunch of keys. The doors to the next room were bolted by a heavy-duty chain and padlock. Max heard a movement behind him as the clanking chains rattled through the door handle. A shaft of light caught them both like animals blinded on a country road.
“Hey!” a voice commanded. “What the hell are you doing?” The torchlight barely wavered as the figure moved quickly toward them. Dr. Miller turned. Waved and rattled his keys.
“It’s Dr. Miller. I need to get into room twenty-seven for a few moments. Sorry to disturb you.”
The night security guard was right next to them but refused to take his torch from Miller’s face until he was certain of the curator’s identity. Finally he lowered the beam.
“You should tell us when you’re working late, Dr. Miller,” the man said officiously. “I’ll have to make a note of this in the log.”
“Of course you will. Quite right too. Don’t worry, we won’t be long. Good night to you.”
There was no mistaking Dr. Miller’s dismissal. The man turned away, switched off his torch and faded back into the shadows.
“They get a little jumpy at night. Imagination is what does it mostly. Things tend to take on a life of their own.
I don’t blame them, of course. I’ve worked late here myself and definitely seen statues shift position.”
“You’re not serious?” Max asked.
“That depends on one’s imagination.”
There was sufficient light to see the old man’s face crinkle into a smile. He pushed open the doors and led the way into a room full of Central American artifacts.
Max gazed into the emerald-green eyes of a black beast. Misshapen, but unmistakably a big cat, it glared back as if Max had just come face to face with the black jaguar in the dense undergrowth of the rain forest.
It was an ancient carving hewn from black volcanic rock. The ragged edges gave the beast a sense of movement, as if its fur was being brushed by the breeze or a low-lying branch. The open jaws displayed white bone teeth, carved to match the shape of incisors and canines. It was powerful and ferocious. It loomed, ready to strike, ears flattened, fixing its glare on him.
The dim light in the room seemed to fade even more. Max smelled the musky cat fur and the carnivore’s stale breath, and heard the resonant growl from somewhere deep within the predator’s chest. It was frightening. Frightening and glorious. Max felt the sigh escape from his lips as he reached forward and touched the beast’s flanks.
A part of Max ran free. Claws dug into the bole of a tree, and a canopy of stars beckoned above the treetops.
“Max?”
Dr. Miller’s voice returned the statue to its role as lifeless guardian of the room’s treasures.
The showcases around three of the four walls were lit,
while on the fourth, stone fresco slabs, intricately carved with figures, were frozen in a silent, macabre dance of bloodletting.
“Those are Mayan kings and queens, making sacrifices to their gods.”
He stepped farther into the room. Max faltered, his hand drawn to touch the rough stonework, as if willing the storyboard to unfold through his fingertips. A loud buzzing alarm startled him. Yanking his hand away, the sound stopped immediately.
“Electronic beams scan those lintels,” Dr. Miller said. “They’re ancient, so we can’t have every child on a school tour rubbing their hands over them, can we? But never mind those for a moment. Now, where are we … yes, here.”
In the exhibit’s half-light, he pointed out the history of the Mexican and Central American people. Different colors stained the map as Miller walked around the room, following history. He stopped. “The Maya—250 BC to AD 1000.”