The three black men who led the way carried burlap bags. Around their necks, dangling down over their ties, were necklaces of amber beads, chicken bones, and the shells of small river mussels. On this particular Good Friday, the streets were wet and the rain drizzled down, but the members of the black parade carried no umbrellas. They spoke to no one on the sidewalks, nor to anyone who happened to be so rude as to speak to them. I saw Mr. Lightfoot walking near the parade’s center, and though he knew every white face in town he looked neither right nor left but straight ahead at the back of the man who walked before him. An invaluable asset to the interlocked communities of Bruton and Zephyr, Marcus Lightfoot was a handyman who could repair any object ever devised by the human mind though he might work at the pace of grass growing. I saw Mr. Dennis, who was a custodian at the elementary school. I saw Mrs. Velvadine, who worked in the kitchen at our church, and I saw Mrs. Pearl, who was always laughing and cheerful at the Merchants Street Bake Shoppe. Today, though, she was nothing but serious, and she wore a clear plastic rain hat.
Bringing up the very rear of the procession, even behind the women and children, was a spindly man wearing a black tuxedo and a top hat. He carried a small drum, and his black-gloved hand beat it to mark the rhythm. It was this man and his wife whom many had come out on the chilly, rainy morning to see. The wife would arrive later; he walked alone, his face downcast.
We called him the Moon Man, because we didn’t know his real name. He was very old, but exactly how old it was impossible to say. He was very rarely seen outside of Bruton, except on this occasion, as was his wife. Either a birth defect or a skin malady had affected one side of his long, narrow face, turning it pale yellow while the other side remained deep ebony, the two halves merging in a war of splotches down his forehead, the bridge of his elegant nose, and his white-bearded chin. The Moon Man, an enigma, had two watches on each wrist and a gilded crucifix the size of a ham hock hanging on a chain around his neck. He was, we presumed, the parade’s official timekeeper as well as one of its royal personages.
The parade continued, step by steady step, through Zephyr to the gargoyle bridge over the Tecumseh River. It might take a while, but it was worth being late to school to see, and because of it school never really got into session until around ten o’clock on Good Fridays.
Once the three men with the burlap bags reached the center of the bridge, they stopped and stood like black statues. The rest of the procession got as close as possible without blocking the bridge, though Sheriff Amory had set up sawhorses with blinking lights along the route.
In a moment a Pontiac Bonneville covered hood to trunk with gleaming plastic rhinestones was driven slowly along Merchants Street from Bruton, following the parade’s path. When it arrived at the center of the gargoyle bridge, the driver got out and opened the rear door, and the Moon Man took his wife’s wrinkled hand and helped her to her feet.
The Lady had arrived.
She was as thin as a shadow, and just as dark. She had a cotton-cloud of white hair, her neck long and regal, her shoulders frail but unbowed. She wore not a costume of outlandish color and design, but a simple black dress with a silver belt, white shoes, and a white pillbox hat with a veil. She wore white gloves to her bony elbows. As the Moon Man helped her from the car, the driver opened an umbrella and held it over her royal, ancient head.
The Lady, it was said, had been born in the year 1858. That made her one hundred and six years old. My mom said the Lady had been a slave in Louisiana, and had run away with her momma into the swamp before the Civil War. The Lady had grown up in a colony of lepers, escaped convicts, and slaves in the bayou below New Orleans, and that was where she’d learned everything she knew.
The Lady was a queen, and Bruton was her kingdom. No one outside Bruton—and no one inside Bruton, as far as I understood—knew her by any name but “the Lady.” It suited her; she was elegance, through and through.
Someone gave her a bell. She stood looking down at the sluggish brown river, and she began to slowly swing the bell back and forth.
I knew what she was doing. My mom did, too. Everyone who watched did.
The Lady was calling the river’s monster up from its mansion of mud.
I had never seen the beast that was called Old Moses. One night when I was nine years of age, I did think I heard Old Moses calling after a heavy rain, when the air itself was as thick as water. It was a low rumble, like the deepest bass note from a church’s pipe organ, so deep your bones hear it before your ears do. It went up into a hoarse roar that made the town’s dogs go crazy, and then the noise was gone. It hadn’t lasted but maybe five or six seconds. The next day, that noise was the talk of the school. Train’s whistle, was Ben’s and Davy Ray’s opinion. Johnny didn’t say what he thought. At home, my folks said it must’ve been the train passing through, but we didn’t find out until later that the rain had washed away a section of track more than twenty miles from Zephyr and the freight to Birmingham hadn’t even run that night.
Such things make you wonder.
A mangled cow washed up, once, under the gargoyle bridge. Missing its head and guts, Mr. Dollar told my father when he and I went to get scalped. Two men netting crayfish along the riverbank just beyond Zephyr spread the story that a human corpse had floated past on the current, the body’s chest peeled open like a sardine can and its arms and legs ripped off at the roots, but no corpse was ever found downriver. One October night, something hit a submerged piling of the gargoyle bridge and left cracks in the support columns that had to be filled with concrete. “A big tree trunk” was Mayor Swope’s official explanation in the Adams Valley
Journal
.
The Lady rang the bell, her arm working like a metronome. She began to chant and sing, in a voice surprisingly clear and loud. The chant was all African words, which I understood about as much as I grasped nuclear physics. She would stop for a while, her head slightly cocked to one side as if watching or listening for something, and then she’d swing the bell again. She never once said the name “Old Moses.” She kept saying “Damballah, Damballah, Damballah,” and then her voice would sail upward in an African song again.
At last she ceased ringing the bell, and she lowered it to her side. She nodded, and the Moon Man took it from her. She was staring fixedly at the river, but what she was seeing there I don’t know. Then she stepped back and the three men with the burlap bags stood at the edge of the gargoyle bridge. They opened the bags and brought out objects wrapped up in butcher’s paper and tape. Some of the paper was bloody, and you could smell the coppery odor of fresh meat. They began to unwrap the gory feast, and as they did they threw the steaks, briskets, and beef ribs down into the swirling brown water. A whole plucked chicken went into the river, too, along with chicken intestines poured from a plastic jar. Calf brains slid out of a green Tupperware bowl, and wet red beef kidneys and liver came out of one of the damp packages. A bottle of pickled pigs’ feet was opened, its contents splashing down into the water. A pig’s snout and ears followed the feet. The last thing in was a beef heart bigger than a wrestler’s fist. It splashed in like a red stone, and then the three men folded up their burlap bags and the Lady stepped forward again, watching her footing on the blood that had dripped onto the pavement.
It occurred to me that an awful lot of Sunday dinners had just gone into the drink.
“Damballah, Damballah, Damballah!” the Lady chanted once more. She stood there for maybe four or five minutes, motionless as she watched the river move beneath the bridge. Then she breathed a long sigh and I saw her face behind the veil as she turned toward her rhinestone Pontiac again. She was frowning; whatever she had seen or had not seen, she wasn’t too happy about it. She got into the car, the Moon Man climbed in after her, the driver closed the door and slid behind the wheel. The Pontiac backed up to a place where it could turn around and then started toward Bruton. The procession began to go back the route it had come. Usually by this time there was a lot of laughing and talking, and people would stop to speak to the white faces along the way. On this particular Good Friday, however, the Lady’s somber mood had carried and no one seemed to feel much like laughing.
I knew exactly what the ritual was all about. Everybody in town did. The Lady was feeding Old Moses his annual banquet. When this had started, I didn’t know; it had been going on long before I was born. You might think, as Reverend Blessett at the Freedom Baptist Church did, that it was pagan and of the devil and should be outlawed by the mayor and town council, but enough white people believed in Old Moses to override the preacher’s objections. It was like carrying a rabbit’s foot or throwing salt over your shoulder if you happened to spill any; these things were part of the grain and texture of life, and better to do them than not, just in case God’s ways were more mysterious than we Christians could grasp.
On the following day the rain fell harder, and thunderclouds rolled over Zephyr. The Merchants Street Easter parade was canceled, much to the dismay of the Arts Council and the Commerce Club. Mr. Vandercamp Junior, whose family owned the hardware and feeds store, had been dressing up as the Easter bunny and riding in the parade’s last car for six years, having inherited the task from Mr. Vandercamp Senior, who got too old to hop. This Easter the rain doused all hopes of catching candy eggs thrown by the various merchants and their families from their cars, the ladies of the Sunshine Club couldn’t show off their Easter dresses, husbands, and children, the members of Zephyr’s VFW unit couldn’t march behind the flag, and the Confederate Sweethearts—girls who attended Adams Valley High School—couldn’t wear their hoop skirts and spin their parasols.
Easter morning arrived, cloaked in gloom. My dad and I were compatriots in grousing about getting slicked up, putting on starched white shirts, suits, and polished shoes. Mom had an all-purpose answer to our grumbles, much the same as Dad’s “Right as rain.” She said, “It’s only one day,” as if this made the stiff collar and the necktie knot more comfortable. Easter was a family day, and Mom phoned Grand Austin and Nana Alice and then Dad picked up the telephone to call Granddaddy Jaybird and Grandmomma Sarah. We would all, as we did every Easter, converge on the Zephyr First Methodist church to hear about the empty tomb.
The white church on Cedarvine Street, between Bonner and Shantuck, was filling up by the time we parked our pickup truck. We walked through the sloppy mist toward the light that streamed through the church’s stained-glass windows, all the polish getting soaked off our shoes. People were shedding their raincoats and closing their umbrellas at the front door, beneath the overhanging eaves. It was an old church, built in 1939, the whitewash coming off and leaving gray patches. Usually the church was primed to its finest on Easter day, but this year the rain had defeated the paintbrush and lawn mower so weeds were winning in the front yard.
“Come in, Handsome! Come in, Flowers! Watch your step there, Noodles! Good Easter morning to you, Sunshine!” That was Dr. Lezander, who served as the church’s greeter. He had never missed a Sunday, as far as I knew. Dr. Frans Lezander was the veterinarian in Zephyr, and it was he who had cured Rebel of the worms last year. He was a Dutchman, and though he still had a heavy accent he and his wife Veronica, Dad had told me, had come from Holland long before I was born. He was in his mid-fifties, stood about five eight, was broad-shouldered and baldheaded and had a neatly trimmed gray beard. He wore natty three-piece suits, always with a bow tie and a lapel carnation, and he made up names for people as they entered the church. “Good morning, Peach Pie!” he said to my smiling mother. To my father, with a knuckle-popping handshake: “Raining hard enough for you, Thunderbird?” And to me, with a squeeze of the shoulder and a grin that shot light off a silver front tooth: “Step right in, Bronco!”
“Hear what Dr. Lezander called me?” I asked Dad once we were inside. “
Bronco!
” Getting a new christening for a day was always a highlight of church.
The sanctuary was steamy, though the wooden ceiling fans revolved. The Glass sisters were up front, playing a piano and organ duet. They were the perfect definition of the word strange. While not identical twins, the two spinster sisters were close enough to be slightly skewed mirrors. They were both long and bony, Sonia with piled-high whitish-blond hair and Katharina with piled-high blondish-white hair. They both wore thick black-framed glasses. Sonia played the piano and not the organ, while Katharina did vice versa. Depending on who you asked, the Glass sisters—who seemed to always be nagging each other but lived together on Shantuck Street in a house that looked like gingerbread—were either fifty-eight, sixty-two, or sixty-five. The strangeness was completed by their wardrobes: Sonia wore only blue in all its varying shades, while Katharina was a slave to green. Which brought about the inevitable. Sonia was referred to by us kids as Miss Blue Glass, and Katharina was called… you guessed it. But, strange or not, they sure could play up a storm.
The pews were packed almost solid. The place looked and felt like a hothouse where exotic hats had bloomed. Other people were trying to find seats, and one of the ushers—Mr. Horace Kaylor, who had a white mustache and a cocked left eye that gave you the creeps when you stared at it—came up the aisle to help us.