Read Confessions of a Shopaholic Online

Authors: Sophie Kinsella

Tags: #Literature & Fiction, #British & Irish, #Contemporary, #Humor & Satire, #Humorous, #Women's Fiction, #Contemporary Women, #Romance, #Romantic Comedy, #Humor & Entertainment, #Contemporary Fiction, #British, #Literary, #General Humor, #Humor

Confessions of a Shopaholic (6 page)

“Cut Back,” says my dad, “or Make More Money. One or the other. Which is it to be, Becky?”

“Oh, both, I expect,” I say airily, and turn another page of my brochure. To be honest, I almost feel sorry for Dad. It’ll be quite a shock for him when his only daughter becomes a multimillionaire overnight.

 

 

After lunch, Mum and I go along to a craft fair in the local primary school. I’m really just going to keep Mum company, and I’m certainly not planning to buy anything—but when we get there, I find a stall full of amazing handmade cards, only £1.50 each! So I buy ten. After all, you always need cards, don’t you? There’s also a gorgeous blue ceramic plant holder with little elephants going round it—and I’ve been saying for ages we should have more plants in the flat. So I buy that, too. Only fifteen quid. Craft fairs are such a bargain, aren’t they? You go along thinking they’ll be complete rubbish—but you can always find
something
you want.

Mum’s really happy, too, as she’s found a pair of candlesticks for her collection. She’s got collections of candlesticks, toast racks, pottery jugs, glass animals, embroidered samplers, and thimbles. (Personally, I don’t think the thimbles count as a proper collection, because she got the whole lot, including the cabinet, from an ad at the back of the
Mail on Sunday
magazine. But she never tells anybody that. In fact, I shouldn’t have mentioned it.)

So anyway, we’re both feeling rather pleased with ourselves, and decide to go for a cup of tea. Then, on the way out, we pass one of those really sad stalls which no one is going near; the kind people glance at once, then quickly walk past. The poor guy behind it looks really sorry for himself, so I pause to have a look. And no wonder no one’s stopping. He’s selling weird-shaped wooden bowls, and matching wooden cutlery. What on earth is the point of wooden cutlery?

“That’s nice!” I say brightly, and pick one of the bowls up.

“Hand-crafted applewood,” he says. “Took a week to make.”

Well, it was a waste of a week, if you ask me. It’s shapeless and the wood’s a nasty shade of brown. But as I go to put it back down again, he looks so doleful I feel sorry for him and turn it over to look at the price, thinking if it’s a fiver I’ll buy it. But it’s eighty quid! I show the price to Mum, and she pulls a little face.

“That particular piece was featured in
Elle Decoration
last month,” says the man mournfully, and produces a cutout page. And at his words, I freeze.
Elle Decoration
? Is he joking?

He’s not joking. There on the page, in full color, is a picture of a room, completely empty except for a suede beanbag, a low table, and a wooden bowl. I stare at it incredulously.

“Was it this exact one?” I ask, trying not to sound too excited. “This exact bowl?” As he nods, my grasp tightens round the bowl. I can’t believe it. I’m holding a piece of
Elle Decoration
. How cool is that? Now I feel incredibly stylish and trendy—and wish I were wearing white linen trousers and had my hair slicked back like Yasmin Le Bon to match.

It just shows I’ve got good taste. Didn’t I pick out this bowl—sorry, this
piece
—all by myself? Didn’t I spot its quality? Already I can see our sitting room redesigned entirely around it, all pale and minimalist. Eighty quid. That’s nothing for a timeless piece of style like this.

“I’ll have it,” I say determinedly, and reach inside my bag for my checkbook. The thing is, I remind myself, buying cheap is actually a false economy. It’s much better to spend a little more and make a serious purchase that’ll last for a lifetime. And this bowl is quite clearly a classic. Suze is going to be
so
impressed.

 

 

When we get back home, Mum goes straight inside, but I stay in the driveway, carefully transferring my purchases from her car to mine.

“Becky! What a surprise!”

Oh God. It’s Martin Webster from next door, leaning over the fence with a rake in his hand and a huge friendly smile on his face. Martin has this way of always making me feel guilty, I don’t know why.

Actually I do know why. It’s because I know he was always hoping I would grow up and marry Tom, his son. And I haven’t. The history of my relationship with Tom is: he asked me out once when we were both about sixteen and I said no, I was going out with Adam Moore. That was the end of it and thank God for that. To be perfectly honest, I would rather marry Martin himself than marry Tom.

“Hi!” I say overenthusiastically. “How are you?”

“Oh, we’re all doing well,” says Martin. “You heard Tom’s bought a house?”

“Yes,” I say. “In Reigate. Fantastic!”

“It’s got two bedrooms, shower room, reception room, and open-plan kitchen,” he recites. “Limed oak units in the kitchen.”

“Gosh,” I say. “How fab.”

“Tom’s thrilled with it,” says Martin. “Janice!” he adds in a yell. “Come and see who’s here!”

A moment later, Janice appears on the front doorstep, wearing her floral apron.

“Becky!” she says. “What a stranger you’ve become! How long is it?”

Now I feel guilty for not visiting my parents more often.

“Well,” I say, trying to give a nonchalant smile. “You know. I’m quite busy with my job and everything.”

“Oh yes,” says Janice, giving an awe-stricken nod. “Your
job
.”

Somewhere along the line, Janice and Martin have got it into their heads that I’m this high-powered financial whiz kid. I’ve tried telling them that really, I’m not—but the more I deny it, the more high powered they think I am. It’s a catch-22. They now think I’m high powered
and
modest.

Still, who cares? It’s actually quite fun, playing a financial genius.

“Yes, actually we’ve been quite busy lately,” I say coolly. “What with the merger of SBG and Rutland.”

“Of course,” breathes Janice.

“You know, that reminds me,” says Martin suddenly. “Becky, wait there. Back in two ticks.” He disappears before I can say anything, and I’m left awkwardly with Janice.

“So,” I say inanely. “I hear Tom’s got limed oak units in his kitchen!”

This is literally the only thing I can think of to say. I smile at Janice, and wait for her to reply. But instead, she’s beaming at me delightedly. Her face is all lit up—and suddenly I realize I’ve made a huge mistake. I shouldn’t have mentioned Tom’s bloody starter home. I shouldn’t have mentioned the limed oak units. She’ll think I suddenly fancy Tom, now he’s got a starter home to his name.

“It’s limed oak and Mediterranean tiles,” she says proudly. “It was a choice of Mediterranean or Farmhouse Quarry, and Tom chose Mediterranean.”

For an instant I consider saying I would have chosen Farmhouse Quarry. But that seems a bit mean.

“Lovely,” I say. “And two bedrooms!”

Why can’t I get off the subject of this bloody starter home?

“He wanted two bedrooms,” says Janice. “After all, you never know, do you?” She smiles coyly at me, and ridiculously, I feel myself start to blush. Why am I blushing? This is so stupid. Now she thinks I fancy Tom. She’s picturing us together in the starter home, making supper together in the limed oak kitchen.

I should say something. I should say, “Janice, I don’t fancy Tom. He’s too tall and his breath smells.” But how on earth can I say that?

“Well, do give him my love,” I hear myself saying instead.

“I certainly will,” she says, and pauses. “Does he have your London number?”

Aarrgh!

“I think so,” I lie, smiling brightly. “And he can always get me here if he wants.” Now everything I say sounds like some saucy double entendre. I can just imagine how this conversation will be reported back to Tom. “She was asking
all
about your starter home. And she asked you to call her!”

Life would be a lot easier if conversations were rewindable and erasable, like videos. Or if you could instruct people to disregard what you just said, like in a courtroom.
Please strike from the record all references to starter homes and limed oak kitchens
.

Luckily, at that moment, Martin reappears, clutching a piece of paper.

“Thought you might cast your eye over this,” he says. “We’ve had this with-profits fund with Flagstaff Life for fifteen years. Now we’re thinking of transferring to their new unit-linked growth fund. What do you think?”

I don’t know. What’s he talking about, anyway? Some kind of savings plan? Please don’t ask me, I want to say. Please ask someone who knows what they’re talking about. But there’s no way they’ll believe that I’m not a financial genius—so I’ll just have to do the best I can.

I run my eye over the piece of paper in what I hope looks like a knowledgeable fashion and nod several times. It’s a letter making some kind of special offer if investors switch to this new fund. Sounds reasonable enough.

“The company wrote to us, saying we might want a higher return in our retirement years,” says Martin. “There’s a guaranteed sum, too.”

“And they’ll send us a carriage clock,” chimes in Janice. “Swiss-made.”

“Mmm,” I say, studying the letterhead intently. “Well, I should think that’s quite a good idea.”

Flagstaff Life, I’m thinking. I’m sure I’ve heard something about them recently. Which ones are Flagstaff Life? Oh yes! They’re the ones who threw a champagne party at Soho Soho. That’s right. And Elly got incredibly pissed and told David Salisbury from
The Times
that she loved him. It was a bloody good party, come to think of it. One of the best.

Hmm. But wasn’t there something else? Something I’ve heard recently? I wrinkle my nose, trying to remember . . . but it’s gone. I’ve probably got it wrong, anyway.

“D’you rate them as a company?” says Martin.

“Oh yes,” I say, looking up. “They’re very well regarded among the profession.”

“Well then,” says Martin, looking pleased. “If Becky thinks it’s a good idea . . .”

“Yes, but, I really wouldn’t just listen to me!” I say quickly. “I mean, a financial adviser or someone would know far more . . .”

“Listen to her!” says Martin with a little chuckle. “The financial expert herself.”

“You know, Tom sometimes buys your magazine,” puts in Janice. “Not that he’s got much money now, what with the mortgage and everything . . . But he says your articles are very good! Tom says—”

“How nice!” I cut in. “Well, look, I really must go. Lovely to see you. And love to Tom!”

And I turn into the house so quickly, I bump my knee on the door frame. Then I feel a bit bad, and wish I’d said good-bye nicely. But honestly! If I hear one more word about bloody Tom and his bloody kitchen, I’ll go mad.

 

 

By the time I sit down in front of the National Lottery, however, I’ve forgotten all about them. We’ve had a nice supper—chicken Provençale from Marks and Spencer, and a nice bottle of Pinot Grigio, which I brought. I know the chicken Provençale comes from Marks and Spencer because I’ve bought it myself, quite a few times. I recognized the sun-dried tomatoes and the olives, and everything. Mum, of course, still acted like she’d made it from scratch, from her own recipe.

I don’t know why she bothers. It isn’t like anyone would care—especially when it’s just me and Dad. And I mean, it’s pretty obvious that there are never any raw ingredients in our kitchen. There are lots of empty cardboard boxes and lots of fully prepared meals—and nothing in between. But still Mum never ever admits she’s bought a ready-made meal, not even when it’s a pie in a foil container. My dad will eat one of those pies, full of plastic mushrooms and gloopy sauce, and then say, with a perfectly straight face, “Delicious, my love.” And my mum will smile back, looking all pleased with herself.

But tonight it’s not foil pie, it’s chicken Provençale. (To be fair, I suppose it almost does look homemade—except no one would ever cut a red pepper up that small for themselves, would they? People have more important things to do.) So anyway, we’ve eaten it and we’ve drunk a fair amount of the Pinot Grigio, and there’s an apple crumble in the oven—and I’ve suggested, casually, that we all go and watch telly. Because I know from looking at the clock that the National Lottery program has already started. In a matter of minutes, it’s all going to happen. I cannot wait.

Luckily, my parents aren’t the sort who want to make conversation about politics or talk about books. We’ve already caught up with all the family news, and I’ve told them how my work’s going, and they’ve told me about their holiday in Corsica—so by now, we’re grinding to a bit of a halt. We need the telly on, if only as a conversational sounding board.

So we all troop into the sitting room, and my dad lights the gas flame-effect fire and turns on the telly. And there it is! The National Lottery, in glorious Technicolor. The lights are shining, and Dale Winton is joshing with Tiffany from
EastEnders
, and every so often the audience gives an excited whoop. My stomach’s getting tighter and tighter, and my heart’s going thump-thump-thump. Because in a few minutes those balls are going to fall. In a few minutes I’m going to be a millionaire. I just
know
I am.

I lean calmly back on the sofa and think what I’ll do when I win. At the very instant that I win, I mean. Do I scream? Do I keep quiet? Maybe I shouldn’t tell anyone for twenty-four hours. Maybe I shouldn’t tell anyone
at all
.

This new thought transfixes me. I could be a secret winner! I could have all the money and none of the pressure. If people asked me how I could afford so many designer clothes I’d just tell them I was doing lots of freelance work. Yes! And I could transform all my friends’ lives anonymously, like a good angel.

I’m just working out how big a house I could manage to buy without everyone twigging, when a voice on the screen alerts me.

“Question to number three.”

What?

“My favorite animal is the flamingo because it’s pink, fluffy, and has long legs.” The girl sitting on the stool excitedly unwinds a pair of long glossy legs, and the audience goes wild. I stare at her dazedly. What’s going on? Why are we watching
Blind Date
?

“Now, this show used to be fun,” says Mum. “But it’s gone downhill.”

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