Read Cross Bones Online

Authors: Kathy Reichs

Tags: #Fiction, #General, #Mystery & Detective, #Women Sleuths, #Thrillers, #Suspense, #Medical

Cross Bones (11 page)

I spent two hours working through endless cyberloops explaining the monastic day, the spiritual journey, the meaning of vocation, the history of the order.

Search as I might, I found no membership listing for any of the monasteries.

I was about to give up when I stumbled on a brief announcement.

On July 17, 2004, the monks of l’Abbaye Sainte-Marie-des-Neiges, with Fr. Charles Turgeon, OCSO presiding, chose their eighth abbot, Fr. Sylvain Morissonneau, 59. Born in Beauce County, Quebec, Fr. Morissonneau attended university at Laval. He was ordained a priest in 1968, then pursued academic studies in the United States. Fr. Morissonneau entered the abbey in 1971. For eight years prior to his election, he served as the monastery’s business manager. He brings to the office skil s both practical and academic.

So Morissonneau had stuck with the contemplative life, I thought, clicking from the monastery’s website to MapQuest Canada.

Sorry, Father. Your solitude’s about to be busted.

11

THEMONTÉRÉGIE IS AN AGRICULTURAL BELT LYING BETWEENMontreal and the U.S. border. Composed of hil s and val eys, crisscrossed by the rivière Richelieu, and outlined by the banks of the fleuve Saint-Laurent, the region is lousy with parks and green space. Parc national des Îles-de-Bouchervil e. Parc national du Mont-Saint-Bruno. Le Centre de la Nature du Mont Saint-Hilaire. Tourists visit the Montérégie for nature, produce, cycling, skiing, and golf.

L’Abbaye Sainte-Marie-des-Neiges was located on the banks of la rivière Yamaska, north of the town of Saint-Hyacinthe, in the center of a trapezoid formed by Saint-Simon, Saint-Hugues, Saint-Jude, and Saint-Barnabe-Sud.

The Montérégie is also lousy with saints.

At nine-twenty the next morning, I turned from the two-lane onto a smal er paved road that wound through apple orchards for approximately a half mile, then made a sharp turn and cut through a high stone wal . A discreet plaque indicated I’d found the monks.

The monastery sprawled beyond an expanse of open lawn, and was shaded by enormous elms. Constructed of Quebec gray stone, the place looked like a church with metastatic disease. Wings shot from three sides, and subsidiary winglets shot from the wings. A four-story round tower stood at the junction of the easternmost wing and the church proper, and an ornate square spire shot from its western-most counterpart. Some windows were arched.

Others were square and shuttered. Several outbuildings lay between the main structure and the cornfields and river at its back.

I took a moment to assess.

From my cybertour I’d learned that many monks make concessions to economic necessity, producing and sel ing baked goods, cheese, chocolate, wine, veggies, or items of piety. Some host visitors seeking spiritual rejuvenation.

These boys didn’t appear to be of that mind-set. I saw no welcoming shingle. No gift shop. Not a single parked car.

I pul ed to the front of the building. No one appeared to greet or chal enge me.

My time on the Web had also taught me that the monks of Sainte-Marie-des-Neiges rise at 4A.M. , observe multiple rounds of prayer, then labor from eight until noon. I’d planned my visit to coincide with the morning work period.

In February that didn’t involve apples or corn. Other than sparrows and ground squirrels, there wasn’t a sign of life.

I got out and softly clicked the car door shut. Something about the place demanded quiet. An orange door to the right of the round tower looked like my best bet. I was walking in that direction when a monk rounded the far end of the spire wing. He wore a brown hooded cape, socks, and sandals.

The monk didn’t stop when he saw me, but continued more slowly in my direction, as though giving himself time to consider the encounter.

He halted three yards from me. He’d been injured at some point. The left side of his face looked slack, his left eyelid drooped, and a white line diagonaled that cheek.

The monk looked at me but didn’t speak. He had hair mowed to his scalp, sharpness to his chin, and a face gaunt as a musculoskeletal diagram.

“I’m Dr. Temperance Brennan,” I said. “I’m here to speak with Sylvain Morissonneau.”

Nothing.

“It’s a matter of some urgency.”

More nothing.

I flashed my LSJML identity card.

The monk glanced at the ID but held his ground.

I’d anticipated a cool reception. Reaching into my shoulder bag, I withdrew a sealed envelope containing a photocopy of Kessler’s print, stepped forward, and held it out.

“Please give this to Father Morissonneau. I’m certain he’l see me.”

A scarecrow hand snaked from the robe, snatched the envelope, then signaled that I should fol ow.

The monk led me through the orange door, across a smal vestibule, and down a lavishly paneled hal . The air smel ed like Monday mornings in the parochial schools of my youth. A mélange of wet wool, disinfectant, and wood polish.

Entering a library, my host gestured that I should sit. A flattened palm indicated that I should stay.

When the monk had gone I surveyed my surroundings.

The library looked like a set transported from a Harry Potter movie. Dark paneling, leaded-glass cabinets, rol ing ladders going up to third-story shelves.

Enough wood had been used to deforest British Columbia.

I counted eight long tables and twelve card catalogs with tiny brass handles on the drawers. Not a computer in sight.

I didn’t hear the second monk enter. He was just there.

“Dr. Brennan?”

I stood.

This monk was wearing a white cassock and a brown overgarment made up of rectangular front and back panels. No cape.

“I am Father Sylvain Morissonneau, abbot of this community.”

“I’m sorry to come unannounced.” I held out my hand.

Morissonneau smiled but kept his hands tucked. He looked older, but better-fed than the first monk.

“You are with the police?”

“The medical-legal lab in Montreal.”

“Please.” Morissonneau made a hand gesture identical to that of his col eague. “Fol ow me.” English, with a heavy québécois accent.

Morissonneau led me back down the main corridor, across a large open space, then into a long, narrow hal . After passing a dozen closed doors, we entered what appeared to be an office.

Morissonneau closed the door, and gestured again.

I sat.

Compared with the library, this room was spartan. White wal s. Gray tile floor. Plain oak desk. Standard metal file cabinets. The only adornments were a crucifix behind the desk, and a painting above one row of cabinets. Jesus talking to angels. And looking considerably more fit than in the carved wooden version hanging over the desk.

I glanced from the canvas to the cross. A phrase popped into my head.Before and after. The thought made me feel sacrilegious.

Morissonneau took the straight-back desk chair, laid my photocopy on the blotter, laced his fingers, and looked at me.

I waited.

He waited.

I waited some more.

I won.

“I assume you have seen Avram Ferris.” Low and even.

“I have.”

“Avram sent you to me?”

Morissonneau didn’t know.

“No.”

“What is it Avram wants?”

I took a deep breath. I hated what I had to do.

“I’m sorry to be the bearer of bad news, Father. Avram Ferris was murdered two weeks ago.”

Morissonneau’s lips formed some silent prayer, and his eyes dropped to his hands. When he looked up his face was clouded with an expression I’d seen too often.

“Who?”

“The police are investigating.”

Morrissonneau leaned forward onto the desk.

“Are there leads?”

I pointed at the photocopy.

“That photo was given to me by a man named Kessler,” I said.

No reaction.

“Are you acquainted with Mr. Kessler?”

“Can you describe this gentleman?”

I did.

“Sorry.” Morissonneau’s eyes had gone neutral behind his gold-rimmed glasses. “That description fits many.”

“Many who would have access to this photo?”

Morissonneau ignored this. “How is it you come to me?”

“I got your name from Yossi Lerner.” Close enough.

“How is Yossi?”

“Good.”

I told Morissonneau what Kessler had said about the photo.

“I see.” He arched his fingers and tapped them on the blotter. For a moment his focus shifted to the photocopy, then to the painting to my right.

“Avram Ferris was shot in the back of the head, execution style.”

“Enough.” Morissonneau rose. “Please wait.” He gave me the palm-stay gesture. I was beginning to feel like Lassie.

Morissonneau hurried from the room.

Five minutes passed.

A clock bonged somewhere down the hal . Otherwise, the building was silent.

Ten minutes passed.

Bored, I rose and crossed to examine the painting. I’d been right but wrong. The canvas and crucifix did constitute a before-and-after sequence, but I’d reversed the order.

The painting depicted Easter morning. Four figures were framed by a tomb. Two angels sat on an open stone coffin, and a woman, probably Mary Magdalene, stood between them. A risen Jesus was to the right.

As in the library, I didn’t hear Morissonneau’s entry. The first thing I knew he was circling me, a two-by-three-foot crate in his hands. He stopped when he saw me, and his face softened.

“Lovely, isn’t it? So much more delicate than most renderings of the resurrection.” Morissonneau’s voice was altogether different than it had been earlier.

He sounded like Gramps showing photos of the grandkids.

“Yes, it is.” The painting had an ethereal quality that real y was beautiful.

“Edward Burne-Jones. Do you know him?” Morissonneau asked.

I shook my head.

“He was a Victorian English artist, a student of Rossetti. Many Burne-Jones paintings have an almost dreamlike quality to them. This one is titledThe Morning of the Resurrection. It was done in 1882.”

Morissonneau’s gaze lingered a moment on the painting, then his jaw tightened and his lips went thin. Circling the desk, he set the crate on the blotter and resumed his seat.

Morissonneau paused a moment, col ecting his thoughts. When he spoke his tone was again tense.

“The monastic life is one of solitude, prayer, and study. I chose that.” Morissonneau spoke slowly, putting pauses where pauses wouldn’t normal y go.

“With my vows, I turned my back on involvement in the politics and concerns of this world.”

Morissonneau placed a liver-spotted hand on the crate.

“But I could not ignore world events. And I could not turn my back on friendship.”

Morissonneau stared at his hand, engaged, stil , in some inner struggle. Truth or dare.

Truth.

“These bones are from the Musée de l’Homme.”

A match flared in my chest.

“The skeleton stolen by Yossi Lerner.”

“Yes.”

“How long have you had it?”

“Too long.”

“You agreed to keep it for Avram Ferris?”

Tight nod.

“Why?”

“So many ‘whys.’ Why did Avram insist that I take it? Why did I consent? Why have I persisted in this shared dishonesty?”

“Start with Ferris.”

“Avram accepted the skeleton from Yossi because of loyalty, and because Yossi convinced him that its rediscovery would trigger cataclysmic events.

After transporting the bones to Canada, Avram hid them at his warehouse for several years. Eventual y, he grew uncomfortable. More than uncomfortable.

Obsessed.”

“Why?”

“Avram is a Jew. These are the remains of a human being.” Morissonneau caressed the box. “And…”

Morissonneau’s head cocked up. Light reflected from one lens.

“Who’s there?”

I heard the soft swish of fabric.

“Frère Marc?” Morissonneau’s voice was sharp.

I swiveled. A form fil ed the open doorway. Placing fingers to lips, the scar-faced monk raised his one good brow.

Morissonneau shook his head.“Laissez-nous.” Leave us.

The monk bowed and withdrew.

Lurching to his feet, Morissonneau strode across the office and closed the door.

“Avram grew uncomfortable,” I prompted when he’d resumed his seat.

“He believed what Yossi believed.” Hushed.

“That the skeleton is that of Jesus Christ?”

Morissonneau’s eyes flicked to the painting, then down again. He nodded.

“Did you believe that?”

“Believe it? No, I didn’t believe it, but I didn’t know. Don’t know. I couldn’t take a chance. What if Yossi and Avram were right? Jesus not dead on the cross? It would be the death knel for Christianity.”

“It would undercut the most fundamental tenets of the faith.”

“Just so. The Christian faith is based on the premise of our savior’s death and resurrection. Belief in the Passion is pivotal to a creed around which one bil ion souls fashion their lives. One bil ion souls, Dr. Brennan. The consequences of the undermining of that belief would be unthinkable.”

Morissonneau closed his eyes, imagining, I could only guess, unthinkable consequences. When he opened them, his voice was stronger.

“Avram and Yossi were probably wrong. I don’t believe these are the bones of Jesus Christ. But what if the press picked up on the story? What if the cesspool that is today’s mass media engaged in one of their nauseating spectacles, sel ing their souls for a larger share of the audience for the six o’clock news? The ensuing controversy alone would be a catastrophe.”

He didn’t wait for a reply.

“I’l tel you what would happen. A bil ion lives would be wrenched out of joint. Faith would be subverted. Spiritual devastation would be rampant. The Christian world would be cast into crisis. But it wouldn’t end there, Dr. Brennan. Like it or not, Christianity is a powerful political and economic force.

Col apse of the Christian church would lead to global upheaval. Instability. World chaos.”

Morissonneau punched the air with one finger.

“Western civilization would be torn loose at the roots. I believed that then. I believe that even more fervently now, with Islamic extremists pushing their new brand of religious fanaticism.”

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