The hurried directness with which she spoke--the absence of all her little airs, as if she were only concerned to use the time in getting an answer that would guide her, made her appeal unspeakably touching.
Deronda said,--"I should feel something of what you feel--deep sorrow."
"But what would you try to do?" said Gwendolen, with urgent quickness.
"Order my life so as to make any possible amends, and keep away from doing any sort of injury again," said Deronda, catching her sense that the time for speech was brief.
"But I can't--I can't; I must go on," said Gwendolen, in a passionate loud whisper. "I have thrust out others--I have made my gain out of their loss --tried to make it--tried. And I must go on. I can't alter it."
It was impossible to answer this instantaneously. Her words had confirmed his conjecture, and the situation of all concerned rose in swift images before him. His feeling for those who had been thrust out sanctioned her remorse; he could not try to nullify it, yet his heart was full of pity for her. But as soon as he could he answered--taking up her last words--
"That is the bitterest of all--to wear the yoke of our own wrong-doing. But if you submitted to that as men submit to maiming or life-long incurable disease?--and made the unalterable wrong a reason for more effort toward a good, that may do something to counterbalance the evil? One who has committed irremediable errors may be scourged by that consciousness into a higher course than is common. There are many examples. Feeling what it is to have spoiled one life may well make us long to save other lives from being spoiled."
"But you have not wronged any one, or spoiled their lives," said Gwendolen, hastily. "It is only others who have wronged
you
."
Deronda colored slightly, but said immediately--"I suppose our keen feeling for ourselves might end in giving us a keen feeling for others, if, when we are suffering acutely, we were to consider that others go through the same sharp experience. That is a sort of remorse before commission. Can't you understand that?"
"I think I do--now," said Gwendolen. "But you were right--I
am
selfish. I have never thought much of any one's feelings, except my mother's. I have not been fond of people. But what can I do?" she went on, more quickly. "I must get up in the morning and do what every one else does. It is all like a dance set beforehand. I seem to see all that can be--and I am tired and sick of it. And the world is all confusion to me"--she made a gesture of disgust. "You say I am ignorant. But what is the good of trying to know more, unless life were worth more?"
"This good," said Deronda promptly, with a touch of indignant severity, which he was inclined to encourage as his own safeguard; "life
would
be worth more to you: some real knowledge would give you an interest in the world beyond the small drama of personal desires. It is the curse of your life--forgive me--of so many lives, that all passion is spent in that narrow round, for want of ideas and sympathies to make a larger home for it. Is there any single occupation of mind that you care about with passionate delight or even independent interest?"
Deronda paused, but Gwendolen, looking startled and thrilled as by an electric shock, said nothing, and he went on more insistently--
"I take what you said of music for a small example--it answers for all larger things--you will not cultivate it for the sake of a private joy in it. What sort of earth or heaven would hold any spiritual wealth in it for souls pauperized by inaction? If one firmament has no stimulus for our attention and awe, I don't see how four would have it. We should stamp every possible world with the flatness of our own inanity--which is necessarily impious, without faith or fellowship. The refuge you are needing from personal trouble is the higher, the religious life, which holds an enthusiasm for something more than our own appetites and vanities. The few may find themselves in it simply by an elevation of feeling; but for us who have to struggle for our wisdom, the higher life must be a region in which the affections are clad with knowledge."
The half-indignant remonstrance that vibrated in Deronda's voice came, as often happens, from the habit of inward argument with himself rather than from severity toward Gwendolen: but it had a more beneficial effect on her than any soothings. Nothing is feebler than the indolent rebellion of complaint; and to be roused into self-judgment is comparative activity. For the moment she felt like a shaken child--shaken out of its wailing into awe, and she said humbly--
"I will try. I will think."
They both stood silent for a minute, as if some third presence had arrested them,--for Deronda, too, was under that sense of pressure which is apt to come when our own winged words seem to be hovering around us, --till Gwendolen began again--
"You said affection was the best thing, and I have hardly any--none about me. If I could, I would have mamma; but that is impossible. Things have changed to me so--in such a short time. What I used not to like I long for now. I think I am almost getting fond of the old things now they are gone." Her lip trembled.
"Take the present suffering as a painful letting in of light," said Deronda, more gently. "You are conscious of more beyond the round of your own inclinations--you know more of the way in which your life presses on others, and their life on yours. I don't think you could have escaped the painful process in some form or other."
"But it is a very cruel form," said Gwendolen, beating her foot on the ground with returning agitation. "I am frightened at everything. I am frightened at myself. When my blood is fired I can do daring things--take any leap; but that makes me frightened at myself." She was looking at nothing outside her; but her eyes were directed toward the window, away from Deronda, who, with quick comprehension said--
"Turn your fear into a safeguard. Keep your dread fixed on the idea of increasing that remorse which is so bitter to you. Fixed meditation may do a great deal toward defining our longing or dread. We are not always in a state of strong emotion, and when we are calm we can use our memories and gradually change the bias of our fear, as we do our tastes. Take your fear as a safeguard. It is like quickness of hearing. It may make consequences passionately present to you. Try to take hold of your sensibility, and use it as if it were a faculty, like vision." Deronda uttered each sentence more urgently; he felt as if he were seizing a faint chance of rescuing her from some indefinite danger.
"Yes, I know; I understand what you mean," said Gwendolen in her loud whisper, not turning her eyes, but lifting up her small gloved hand and waving it in deprecation of the notion that it was easy to obey that advice. "But if feelings rose--there are some feelings--hatred and anger-- how can I be good when they keep rising? And if there came a moment when I felt stifled and could bear it no longer----" She broke off, and with agitated lips looked at Deronda, but the expression on his face pierced her with an entirely new feeling. He was under the baffling difficulty of discerning, that what he had been urging on her was thrown into the pallid distance of mere thought before the outburst of her habitual emotion. It was as if he saw her drowning while his limbs were bound. The pained compassion which was spread over his features as he watched her, affected her with a compunction unlike any she had felt before, and in a changed and imploring tone she said--
"I am grieving you. I am ungrateful. You
can
help me. I will think of everything. I will try. Tell me--it will not be a pain to you that I have dared to speak of my trouble to you? You began it, you know, when you rebuked me." There was a melancholy smile on her lips as she said that, but she added more entreatingly, "It will not be a pain to you?"
"Not if it does anything to save you from an evil to come," said Deronda, with strong emphasis; "otherwise, it will be a lasting pain."
"No--no--it shall not be. It may be--it shall be better with me because I have known you." She turned immediately, and quitted the room.
When she was on the first landing of the staircase, Sir Hugo passed across
the hall on his way to the library, and saw her. Grandcourt was not with
him.
Deronda, when the baronet entered, was standing in his ordinary attitude, grasping his coat-collar, with his back to the table, and with that indefinable expression by which we judge that a man is still in the shadow of a scene which he has just gone through. He moved, however, and began to arrange the letters.
"Has Mrs. Grandcourt been in here?" said Sir Hugo.
"Yes, she has."
"Where are the others?"
"I believe she left them somewhere in the grounds."
After a moment's silence, in which Sir Hugo looked at a letter without
reading it, he said "I hope you are not playing with fire, Dan--you
understand me?"
"I believe I do, sir," said Deronda, after a slight hesitation, which had some repressed anger in it. "But there is nothing answering to your metaphor--no fire, and therefore no chance of scorching."
Sir Hugo looked searchingly at him, and then said, "So much the better. For, between ourselves, I fancy there may be some hidden gunpowder in that establishment."
Aspern.
Pardon, my lord--I speak for Sigismund.
Fronsberg.
For him? Oh, ay--for him I always hold A pardon safe in bank, sure he will draw Sooner or later on me. What his need? Mad project broken? fine mechanic wings That would not fly? durance, assault on watch, Bill for Epernay, not a crust to eat?
Aspern.
Oh, none of these, my lord; he has escaped From Circe's herd, and seeks to win the love Of your fair ward Cecilia: but would win First your consent. You frown.
Fronsberg.
Distinguish words. I said I held a pardon, not consent.
In spite of Deronda's reasons for wishing to be in town again--reasons in which his anxiety for Mirah was blent with curiosity to know more of the enigmatic Mordecai--he did not manage to go up before Sir Hugo, who preceded his family that he might be ready for the opening of Parliament on the sixth of February. Deronda took up his quarters in Park Lane, aware that his chambers were sufficiently tenanted by Hans Meyrick. This was what he expected; but he found other things not altogether according to his expectations.
Most of us remember Retzsch's drawing of destiny in the shape of Mephistopheles playing at chess with man for his soul, a game in which we may imagine the clever adversary making a feint of unintended moves so as to set the beguiled mortal on carrying his defensive pieces away from the true point of attack. The fiend makes preparation his favorite object of mockery, that he may fatally persuade us against our taking out waterproofs when he is well aware the sky is going to clear, foreseeing that the imbecile will turn this delusion into a prejudice against waterproofs instead of giving a closer study to the weather-signs. It is a peculiar test of a man's metal when, after he has painfully adjusted himself to what seems a wise provision, he finds all his mental precaution a little beside the mark, and his excellent intentions no better than miscalculated dovetails, accurately cut from a wrong starting-point. His magnanimity has got itself ready to meet misbehavior, and finds quite a different call upon it. Something of this kind happened to Deronda.
His first impression was one of pure pleasure and amusement at finding his sitting-room transformed into an
atelier
strewed with miscellaneous drawings and with the contents of two chests from Rome, the lower half of the windows darkened with baize, and the blonde Hans in his weird youth as the presiding genius of the littered place--his hair longer than of old, his face more whimsically creased, and his high voice as usual getting higher under the excitement of rapid talk. The friendship of the two had been kept up warmly since the memorable Cambridge time, not only by correspondence but by little episodes of companionship abroad and in England, and the original relation of confidence on one side and indulgence on the other had been developed in practice, as is wont to be the case where such spiritual borrowing and lending has been well begun.
"I knew you would like to see my casts and antiquities," said Hans, after the first hearty greetings and inquiries, "so I didn't scruple to unlade my chests here. But I've found two rooms at Chelsea not many hundred yards from my mother and sisters, and I shall soon be ready to hang out there-- when they've scraped the walls and put in some new lights. That's all I'm waiting for. But you see I don't wait to begin work: you can't conceive what a great fellow I'm going to be. The seed of immortality has sprouted within me."
"Only a fungoid growth, I dare say--a growing disease in the lungs," said Deronda, accustomed to treat Hans in brotherly fashion. He was walking toward some drawings propped on the ledge of his bookcases; five rapidly- sketched heads--different aspects of the same face. He stood at a convenient distance from them, without making any remark. Hans, too, was silent for a minute, took up his palette and began touching the picture on his easel.
"What do you think of them?" he said at last.
"The full face looks too massive; otherwise the likenesses are good," said Deronda, more coldly than was usual with him.
"No, it is not too massive," said Hans, decisively. "I have noted that. There is always a little surprise when one passes from the profile to the full face. But I shall enlarge her scale for Berenice. I am making a Berenice series--look at the sketches along there--and now I think of it, you are just the model I want for the Agrippa." Hans, still with pencil and palette in hand, had moved to Deronda's side while he said this, but he added hastily, as if conscious of a mistake, "No, no, I forgot; you don't like sitting for your portrait, confound you! However, I've picked up a capital Titus. There are to be five in the series. The first is Berenice clasping the knees of Gessius Florus and beseeching him to spare her people; I've got that on the easel. Then, this, where she is standing on the Xystus with Agrippa, entreating the people not to injure themselves by resistance."