Read Life Swap Online

Authors: Abby McDonald

Life Swap (28 page)

I giggle, rummaging in my suitcase for my wash bag. “I still can't believe she slagged you off to Aldridge—and then you got that offer, anyway.”

“Totally.” Tash beams. “Oooh, is that your movie?” Spying a manila envelope buried among my clothes, she reaches over and takes the small package.

“Oh. That.” I feel my elation suddenly begin to ebb away. “Ryan dropped it by before I left. I haven't been able to watch it yet,” I admit.

“Let's do it now,” she cries. “Come on, I'm dying to see it.”

“Well… all right,” I agree unenthusiastically, but she's already flipping up her laptop screen and opening the envelope.

“Which one is it?”

“Hmm?” I carefully begin to smear moisturizer under my eyes, the way my mother ordered me to at age twelve, “to stave off the ravages of time.”

Tash tosses the discs onto my bed. “There are two. And a note!” she exclaims, withdrawing a single sheet of paper.

“I don't want to hear!” My heart drops, just imagining what Ryan would have to say.

“Sure you do.” Ignoring my plea, Tash begins to read.
“Emily—I know you've already made up your mind about us, so I won't try and stop you. But please think about the summer job.”
At this Tash fixes me with another of her looks.
“Either way, I made this so you remember your time here and everything you managed to be. Have a safe journey home.”

She lowers the letter. “That's all there was. Go on, play the disc!”

I slowly clamber over beside her and slip the DVD into the computer, my insides already twisting themselves into a tangle.

“Look, it's you!”

I watch in silence as a photograph of me fills the screen under the words “Emily's Big Adventure.” It's one of the shots from outside the diner: my hair is glossy under the sun, and my whole face is lit up as I blow the camera a kiss.

“So cute!” Tash coos, hugging me, but I just feel a pang. It already feels like that place is a world away. The first still is quickly replaced as new photographs and short bursts of film dance across the small screen. Me working on the script, me lying out on the lawn with a book, me ordering our group around during filming, all set to a familiar soundtrack of Bruce Springsteen, Patsy Cline, and all the other songs Ryan played for me that day.

I watch myself as if in a daze. The girl on–screen is more hesitant than the people around her, I can see. She holds back, visibly assessing each moment, but then there are moments where Ryan has caught me completely unaware: doubled over with laughter on the beach; eyes animated as I explain a line of dialogue.

“That must be Carla!” Tash exclaims happily, as the slide show continues. And then another film clip plays. I'm Rollerblading on the boardwalk in Santa Monica, begging Ryan to turn the camera off.

“You're not doing too bad.”
Our banter is a burst of noisy giggles and sarcasm.
“You haven't checked the time all afternoon.”

“Yay me!”
I'm breathless and flushed, backlit by the sparkling ocean and sinking neon sun.

“Don't go changing too much; they won't recognize you when you get home!”

The shot freezes on my face in that moment before I started to fall, lingering on the screen in front of us.

“You look so sad,” Tash murmurs quietly. I nod. She's right, it's as if a shadow is drifting over my features. Ryan captured me in the very instant that I thought about going home, and what he saw there would be clear to anyone: a fleeting look of panic in my eyes, a fraught tension in my jaw.

The image finally fades away and the disc is finished. I exhale, not realizing I've been holding my breath.

“Are you OK?” Tash looks at me carefully. I shrug.

“Yes. No.” I fall back onto the pillows, my voice small. “I don't know.”

“Oh, Em.” She lies down beside me, our hands overlapping and limbs splayed out like paper dolls. “Talk to me.”

But I don't know how to find the words, so we just lie in silence while aching waves roll through me until, at last, I drift to sleep.

I slip out of bed early before Tash awakes and wander across to the beach. Sitting on the cool, clear sand, I watch the light from the rising sun behind me turn the water a brilliant blue and try to find a path through all my confusion.

I'm on the edge of something, I can tell, but even the thought of moving in any one direction is enough to paralyze me. Snuggling deeper into the folds of my new UCSB jumper, I try to organize all my thoughts into a neat, ordered list like usual, but nothing stays in its place. Images from Ryan's film keep jumping into my mind; memories of the past semester; my script; the hours I spent on research and applications for the law internships.

I sigh. I thought I would make the decision and be done with it—that's always been the way it's worked before. I may make lists and weigh up every available criteria and even occasionally plot a spreadsheet of competing values, but in the end, once I reach a (well–considered) conclusion, that's it: over, finished, certain. No regrets, no repeats, and certainly no changing my mind.

But now…

I shiver despite the sun, remembering the look on my face in that frozen shot. Things will be the same as they always were back in England, of that I have no doubt, but surely that's a good thing? I missed my old routine: the academic rigor, the satisfying framework of achievement—so why now do I feel such a flutter whenever I imagine working until 2:00
AM
on an essay or spending eight hours a day buried in the dusty Raleigh library?

I've tasted something different here—that's the problem. The past three months have been the first time in my life I've stepped out of the hyper–driven rush of school and career planning, the first time I've ever been able to look in on my life from the outside and see myself for what I am.

Stressed. Overachieving. A control freak.

I repeat the words under my breath, and then again, feeling lighter with every whispered syllable.

It shouldn't be this hard.

That's what I've learned on this trip, I realize—besides how to dress like a California girl and fake an excited squeal. That my life shouldn't be this hard. I'm nineteen years old, buried in activities and work, and I'm acting as if one wrong move will throw me into a downward spiral. Like I'm just a single ruined timetable away from stacking shelves in the village Tesco for all eternity.

I start to smile. A sense of gentle reassurance is spreading through me, as easy as the Florida sunshine on my skin. Because in this instant, I know without a doubt that I'll be all right. No, better than all right—I'll be excellent. But not if I let myself get tied up again in stress and cold fear and the constant Oxford rush to
do more
that put such an awful expression on my face in that shot.

I always thought I was aiming for the best possible kind of life, the one my parents told me I should strive to achieve, but now I know I deserve better than the neat plans I made so carefully; I deserve that trip in my bloodstream that I felt watching our film up on the auditorium screen; I deserve laughter and adventure and the rush of uncertainty that comes from living without a schedule.

I start suddenly as a body collapses beside me on the sand. Tash passes me an open box of Krispy Kremes, oozing custard and calories.

“For breakfast?” I exclaim, my pulse still beating a giddy dance from those revelations.

“Uh–huh,” she mumbles through a mouthful of icing. I stop myself from making another nutrition–related comment and fill my mouth with soft fried dough instead. It turns out to be a far more pleasurable option.

“So what are we up to today?” Tash asks, yawning.

“I don't know,” I muse, stretching all the tension and worry free from my muscles. The beach around us is filling up as the college kids prepare for another taxing day of tanning, the breeze scented with sunscreen and ocean tang. “I was thinking some lounging, a little more relaxing…”

“Perfect,” Tash agrees. “And remember, we've got wireless internet in the hotel room if you feel like running over and sending Ryan an email.”

I laugh at her tenacity. “Will you ever quit?”

“Umm, no.” She gives me a wry grin. “This is what friends do.”

“Well…” I stretch my lips into a slow smile. “Perhaps I will just write a quick message before we hit the pool.”

Tash squeals and grabs me. “Seriously?”

“Seriously.” I giggle, and to my relief, the decision really does feel final.

“I knew it!” she exclaims. “I knew you'd break sometime. And I hadn't even started with the movie marathon or the guilt trip about opportunity.”

“Gee, thanks!” I elbow her. “I didn't realize this was an intervention.”

“Only ‘cause you needed it.” Tash pushes back. “And anyway, you have to come. What would I do all summer without you?”

“Go clubbing with Morgan and Lexi?” I tease.

“Ew no!” She grimaces. “They're toxic. Oh, wow, we're going to have the best time.”

“We will,” I agree happily, reaching for another donut.

“And Ryan's going to be pleased…” She looks at me sideways. I laugh.

“This isn't about Ryan!”

“I know, it's about identity and autonomy, blah blah.” She waves my protest away. “But that doesn't mean you can't have your cake and kiss your boy too.”

I pause for a second, reveling in the lightness in my chest. I have no idea whether Ryan will want to get back together with me or how my parents are going to react when I tell them what I've decided, but I don't feel as if I have a single problem in the world. “I'm going to have everything,” I say slowly, like a promise to myself.

“Don't you mean
we
are?”

“Absolutely.”

And we lie there in the sun together until all the doughnuts are gone.

A
CKNOWLEDGMENTS

Thanks first must go to my wonderful agent, Rosemary Stimola, whose serendipity and skills brought this whole project together. Thanks to Liz Bicknell, Kaylan Adair, and everybody at Candlewick, Mara Bergman, and the Walker team—you've all been a debut author's dream.

Thank you to my mum for never telling me to stop daydreaming and get a real job, for all those nights tirelessly helping me “research” Gilmore Girls, and for just being amazing. Thanks to my dad and sister for all their support. Thanks to Lauren Barnholdt—getting stuck in traffic with you that day made all the difference; Stu S. and Ned R. for the generous extension of couch privileges; Narmada T. for reading every draft of everything with unwavering enthusiasm; and finally, thanks to Kate S-B., Veronique W., and Dom P. for assorted fun times and putting up with all the book talk.

Life Swap

Abby McDonald
graduated from Oxford University with a degree in politics, philosophy and economics – and a penchant for teen pop culture of every kind. An entertainment critic turned full-time author, she now lives in London. She is twenty-four years old. Of
Life Swap
she says, “I wanted this book to explore what feminism can mean to a new generation of teenagers. Through their exploits, Tasha and Emily learn to make conscious decisions about their futures; they discover different sides to their personalities – and feminist identities – despite social pressures and expectations. Claiming that kind of autonomy is one of the most powerful things a young woman can do.”

Visit Abby online at:
www.abbymcdonald.com

This is a work of fiction. Names, characters, places and incidents are either the product of the author's imagination or, if real, are used fictitiously. All statements, activities, stunts, descriptions, information and material of any other kind contained herein are included for entertainment purposes only and should not be relied on for accuracy or replicated as they may result in injury.

First published 2009 by Walker Books Ltd
87 Vauxhall Walk, London SE11 5HJ

Text © 2009 Abigail McDonald

The right of Abigail McDonald to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988

All rights reserved. No part of this book may be reproduced, transmitted or stored in an information retrieval system in any form or by any means, graphic, electronic or mechanical, including photocopying, taping and recording, without prior written permission from the publisher.

British Library Cataloguing in Publication Data:
a catalogue record for this book is available from the British Library

ISBN 978-1-4063-4291-8 (ePub)

www.walker.co.uk

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