Read No Shelter Online

Authors: Robert Swartwood

Tags: #Mystery; Thriller & Suspense, #Thrillers & Suspense, #Crime, #Vigilante Justice, #Spies & Politics, #Assassinations, #Conspiracies, #Espionage, #Terrorism, #Thrillers, #Pulp

No Shelter (8 page)

Ignoring her, I hurry over to the guards’ house. It’s empty, the same men still lying dead in the same positions I left them in. I come back out just as Scooter pulls up the Escalade. Nova hurries down from the hill, his rifle in hand. I sprint forward, more glad than ever to see them.
 

Nova reaches the Escalade first. He opens the back door, throws in his rifle, shakes his head at me as he closes the door.
 

“I thought Berlin was the last time,” I say to him, grinning.
 

Scooter shuts off the engine, opens the door and steps out. He too is shaking his head, but he’s smiling as he chews his gum. “You, Holly, are one crazy bitch.”
 

“Yeah, but I’m one hot crazy bitch.”
 

He laughs, shakes his head again, steps forward to take me into an embrace. It’s a rare thing but I allow it, my heart still pounding, knowing how close to biting it I had come. I’ve been there before, right near the threshold of death’s doorway, but always managed to jump back. This time I was certain it wasn’t going to happen.
 

Nova must see it first. My back is to the ranch house, the girls momentarily forgotten. Scooter is hugging me, holding me tight, and Nova is standing behind him, still smiling. Then the smile fades. His eyes go wide. He starts to open his mouth but it’s Scooter I hear shouting. Next thing I know I’m being squeezed even tighter, Scooter grabbing me and turning to the side, letting go as he turns back and faces whatever’s coming at him.
 

It’s the girl I’d popped, the one who had first moved at Julio’s demand. She has come out of the ranch house, picked up one of the guns, and God help me, I realize it’s my gun she has, the nine-millimeter, the one now raised as she hurries forward, screaming and firing.
 

Scooter takes the bullets. He stays in front of me and he takes each bullet and for an instant I just stand there, paralyzed, not sure what to do.
 

Then I move. Even before Nova can, I step past Scooter and run at the girl who’s running at me. She’s still shooting but I don’t care. I intercept her, slap the gun out of her hand, punch her in the face, kick her in the knee, send her to the ground. Then I’m reaching down, grabbing the gun—my own goddamned gun—and standing back up, aiming the gun and firing at her face until she no longer has a face, until there are no more bullets, and I’m left just pulling the trigger and hearing the dry clicks.
 

Nova shouts my name.
 

The woman is dead but still I want to kill her again.
 

“Holly, let’s go!”
 

I turn away. The gun still in hand, I sprint back to the Escalade. Nova is on his knees, holding Scooter. Somehow, Scooter is still alive. His entire chest has been ravaged by bullets but he’s still alive.
 

I fall to my knees too. I say to Nova, “Start the truck.”
 

“Holly—”
 

“Start it!”
 

He gets to his feet, runs to the Escalade and climbs inside. The engine roars to life.
 

I hold Scooter, whispering to him that everything’s going to be okay. He wheezes, coughs up blood.
 

Nova is back out of the Escalade, hurrying over to pick up Scooter. I run to the back, open the door and get inside to help Nova load Scooter in. Scooter is wheezing even more, and I don’t know why I kid myself, but I actually think that it will be okay. That we’ll get Scooter the help he needs. That they’ll extract the bullets, close the wounds, nurse him back to health.
 

I even murmur this to him as Nova gets into the front of the Escalade, puts it in gear, spins the tires in the dirt as he does a wild one-eighty and sends us back down the drive toward the road. I hold Scooter close, Scooter who keeps wheezing and coughing up blood, and I tell him that everything will be okay, it will be okay, it will be okay, until at some point he stops wheezing and stops coughing up blood and the piece of bubblegum he was chewing falls from his lips to the floor.
 

 

 

 

 

 

         
Part II

Work Is Work

 

 

 

14

At 5:45 AM my alarm goes off. I’m already awake. I’ve been awake, just lying there on my bed, staring up at the ceiling or at the corners of my room or sometimes, when I felt courageous enough, at Josh sleeping beside me.
 

He snores, a heavy, steady breathing. Like a hiccup, I wait for him to stop, but somehow find relief after each throaty breath. Despite the sixty-eight degrees I have the thermostat set at, he’s been sweating throughout the night. I can smell him—an oddly pleasant scent. His still presence gives me a disturbing comfort.
 

I could have turned off the alarm but I let it buzz anyway, for Josh’s sake. He stirs, mumbles something in his sleep, and turns over on his side.
 

I turn the alarm off.
 

I watch Josh for a little while more, this man who is a boy and a friend but who isn’t my boyfriend. I’ve never asked him to stay the night—at least not the entire night—and it’s strange to have him in my bed this morning, snoring lightly, his body odor absorbing into my sheets.
 

The only man I’ve ever let sleep in my bed is Zane.
 

But no, I can’t think of Zane in the present tense. When I think of Zane it always has to be in the past tense, because Zane is gone, has been gone for two years now, never to return, having not been able to jump back from Death’s Door like I had managed all those times before. Zane my friend, my lover, someone who I actually found myself caring about, someone who I envisioned spending the rest of my life with.
 

I get out of bed, walk through my apartment to the kitchen. I turn on the coffee machine, open the fridge to look at what’s inside. Not much besides V8 and leftovers and milk that expired yesterday.
 

I shut the door, turn back around and look at my cluttered kitchen as if for the first time—dirty dishes in the sink, newspapers stacked on the table, nearly empty cereal and cracker boxes littering the counters—and my gaze falls on the cork board posted on the wall. Right in the corner amid pictures and Post-Its of scribbled notes, held in place by a sky blue tack, is a Bazooka Joe comic.
 

Without even looking I know it’s number twenty out of fifty, Scooter’s all-time favorite comic.
 

But no, I can’t think of Scooter in the present tense anymore either, and it’s this realization—what I’ve been trying to deal with for the past twenty-four hours—that finally brings it all home.
 

My vision starts to blur as one tear after another fills my eyes. Then all of a sudden comes a deluge, and my shoulders hitch, my legs go weak, and before I know it I’m on the ground, holding my side as I sob.
 

I sob for Scooter and I sob for Zane and I sob for Karen and I sob for Rosalina, wherever she is now. It’s been almost two years since I’ve cried and it feels strange at first, like I’m not doing it right, always having forced the tears back, no matter what, always telling myself I was strong enough to keep them away, that a woman like me shouldn’t cry, cannot cry, because crying shows weakness, vulnerability, helplessness.
 

It’s Scooter I have in my mind, the guy forever chomping his Bazooka Joe, but quite suddenly Scooter’s face fades and becomes Zane’s face. Zane who taught me how to love and care and understand the world, who made me feel like I had an actual purpose.
 

No, stop it. I can’t think of Zane. I can’t think of Scooter. I can’t think of any of the people I’ve lost because they are dead now and I am not and I have to worry about today, about tomorrow, about next week, I have to worry about the next mission and how I can’t make any mistakes, I have to—

A floorboard creaks, and Josh says, “Holly, are you okay?”
 

It’s such a stupid, pointless question that I want to ignore him, just stay where I am sobbing on the kitchen floor, ignore him until he goes away and never comes back.
 

But he takes a step forward, leaving the doorway and coming toward me, dressed only in his silk boxers. I wipe my eyes, start to sit up, find myself leaning against the refrigerator. I lean my head back against its cool surface, my left ear grazing the Universal Studios magnet my mother brought back from Florida last year.
 

Still Josh continues forward, the sleep completely wiped from his eyes, concern now on his scruffy face. He comes and bends down and places his hand on my arm, places his other hand on my face. Slowly, gently, lovingly, he wipes away my tears with his thumb.
 

And right then—right at that instant—I want to sleep with him again. Right here on the kitchen floor if need be, I don’t care. I just need the closeness, the warmth of another human soul, something to remind me that I am not completely alone in this world.
 

It’s why I called Josh last night and invited him over, Josh who by now knows the score and arrived within the hour. Josh who I went to high school with and who I have stayed in contact with the past ten years, always just casual friends, a nod and hello if we see each other in public. Josh who has been in love with me since eighth grade, who had more than once asked me out, and who I always turned down because even at sixteen I had never liked the idea of dating, of relationships, always seeing the entire process as a huge waste of time and energy.
 

So after Zane died—was killed, I remind myself—I needed something to bring me back down after every mission, my body so pumped up, my nerves on edge, and so I called Josh and asked him over and seduced him. When it was over Josh wanted to spend the night but I told him that probably wasn’t the best idea, he should go.
 

For the past two years he has known the score, not understood completely the reasons why I sometimes call him out of the blue to come over, but still he always arrives within the hour, knowing what to expect, having just showered and brushed his teeth, his underarms fresh with deodorant.
 

And right now, his hands on my arm, my face, wiping away my tears, I want to seduce him again, if not for the closeness than at least to get whatever else is bottled up inside me out. Because in an hour I will be going over to Walter’s to see the kids, I will see Walter himself, and I need to be focused and clear-headed and in control of my emotions.
 

But instead I take Josh’s hands, gently push them away. “It’s okay. Really, I’m fine.”
 

He stands back up, looks down at me with a frown.
 

“It’s just been a really stressful past couple days.” I hold out a hand and he helps me up, and then I look around the kitchen again. “Want some coffee?”
 

A little while later, after having showered and gotten dressed, I come back into the kitchen to find Josh washing my dishes. He’s put back on his jeans and T-shirt, his white socks with the gold toes, and he’s listening to
The Today Show
turned up on the TV in the next room.
 

“How does my face look?”
 

He turns, gives me a squint, tilts his head back and forth a couple times. “Pretty good.”
 

“Liar.”
 

The story I had given him last night was one of the kids shattered a glass Friday afternoon, one of the shards hitting my cheek and cutting me open.
 

I look around the kitchen, see that Josh has done an amazing job of cleaning it up. For a bartender/musician, he should consider doing housecleaning part time.
 

I have to leave in ten minutes to beat the traffic into Arlington. During my shower I’ve been thinking about an excuse for my strange behavior, why I’d broken my only rule in allowing him to stay the night, but before I can even open my mouth he clears his throat.
 

“Holly?”
 

“Yeah.”
 

He wipes his hands on a towel, sets its aside, walks over and pulls out a chair and sits down. When I just stand there, staring at him, he motions for me to sit.
 

I sit.
 

He clears his throat again. “About last night ...”
 

“Josh—”
 

“We can’t do that anymore.”
 

I close my mouth, but in a slow, cautious way, like my teeth are filled with nitroglycerin. I just sit there, not sure what to say or do or even think.
 

He reaches across the table, takes my hand in his, gives it a quick squeeze. “You know I like you a lot. And, well, as much as I’ve enjoyed our booty calls”—he smiles at the term—“I’ve met someone.”
 

“You have?”
 

“Yeah.” Nodding now, staring at me to gauge my reaction. “Her name is Dawn and she plays the bass in this band that we opened for last month and ... I think I’m in love.”
 

I try to smile, I really do, but for some reason my face won’t work, all the muscles have gone on strike, and I just stare back at Josh whose own smile starts to fade.
 

“I figured you’d understand, right? Because, like, this was never anything serious. You’d told me that before and that’s what I accepted it as. Just two friends, you know, having a good time.”
 

He’s right of course. That’s all it ever was. But the nasty truth is our “booty calls” were designed to help free up my tension, get me grounded, and while I hate to admit it I just always assumed that Josh would be there whenever I called, always arriving within the hour. Having a girlfriend, I guess that’s something I knew was a possibility, something that would eventually happen, but for some reason I just never worried about.
 

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