Read On The Banks Of Plum Creek Online

Authors: Laura Ingalls Wilder

Tags: #Non-Fiction, #Children, #Young Adult, #Historical, #Biography, #Autobiography, #Classic

On The Banks Of Plum Creek (8 page)

They ran down the steps and over the footbridge, and under the willows, up to the prairie. They went through the prairie grasses and up to the top of a green knoll, where Pa and Mr. Nelson were building the new house.

It was fun to watch them set up the skeleton house. The timbers stood up slender and golden-new, and the sky was very blue between them. The hammers made a gay sound.

The planes cut long curly shavings from the sweet-smelling boards.

Laura and Mary hung little shavings over their ears for earrings. They put them around their necks for necklaces. Laura tucked long ones in her hair and they hung down in golden curls, just the color she had always wanted her hair to be.

Up on the skeleton roof Pa and Mr. Nelson hammered and sawed. Little blocks of wood fell down, and Laura and Mary gathered them in piles and built houses of their own. They had never had such a good time.

Pa and Mr. Nelson covered the skeleton walls with slanting boards nailed on. They shingled the roof with boughten shingles.

Boughten shingles were thin and all the same size; they were far finer shingles than even Pa could hew with an ax. They made an even, tight roof, with not one crack in it.

Then Pa laid the floor of silky-smooth boards that were grooved along the edges and fitted together perfectly. Overhead he laid another floor for the upstairs, and that made the ceiling of the downstairs.

Across the downstairs, Pa put up a partition.

That house was going to have two rooms! One was the bedroom, and the other was only to live in. He put two shining-clear glass windows in that room; one looking toward the sunrise and the other beside the doorway to the south. In the bedroom walls he set two more windows, and they were glass windows, too.

Laura had never seen such wonderful windows. They were in halves. There were six panes of glass in each half, and the bottom half would push up, and stay up when a stick was set under it.

Opposite the front door Pa put a back door, and outside it he built a tiny room. That was a lean-to, because it leaned against the house. It would keep out the north winds in the winter-time, and it was a place where Ma could keep her broom and mop and washtub.

Now Mr. Nelson was not there and Laura asked questions all the time. Pa said the bedroom was for Ma and Carrie and him. He said the attic was for Mary and Laura, to sleep in and to play in. Laura wanted so much to see it that he stopped work on the lean-to and nailed strips of board up the wall, to make the attic ladder.

Laura skipped quickly up that ladder till her head came up through the hole in the attic floor. The attic was as big as both rooms downstairs. Its floor was smooth boards. Its slanting roof was the underside of the fresh, yellow shingles. There was a little window at each end of that attic, and those windows were glass windows!

At first Mary was scared to swing off the ladder to the attic floor. Then she was scared to step down through the floor-hole onto the ladder. Laura felt scared, too, but she pre-tended she didn't. And they soon got used to getting on and off the ladder.

Now they thought the house was done. But Pa nailed black tar-paper all over the outside of the house walls. Then he nailed more boards over that paper. They were long, smooth boards, one lapping over the other all up the sides of the house. Then around the windows and the doorways Pa nailed flat frames.

“This house is tight as a drum!” he said.

There was not one single crack in the roof or the walls or the floor of that house, to let in rain or cold winds.

Then Pa put in the doors, and they were boughten doors. They were smooth, and far thinner than slab doors hewed with an ax, and even thinner panes were set into them above and below their middles. Their hinges were boughten hinges, and it was marvelous to see them open and shut. They did not rattle like wooden hinges or let the door drag like leather hinges.

Into those doors Pa set boughten locks, with keys that went into small, shaped holes, and turned and clicked. The s e locks had white china door knobs.

Then one day Pa said, “Laura and Mary, can you keep a secret?”

“Oh yes, Pa ! ” they said.

“Promise you won't tell Ma ? ” he asked, and they promised.

He opened the lean-to door. And there stood a shiny-black cookstove. Pa had brought it from town and hidden it there, to surprise Ma.

On top, that cookstove had four round holes and four round lids fitted them. Each lid had a grooved hole in it, and there was an iron handle that fitted into the holes, to lift the lid by. In front, there was a long, low door. There were slits in this door, and a piece of iron would slide back and forth, to close these slits or open them. That was the draught. Under it, a shelf like an oblong pan stuck out. That was to catch ashes and keep them from dropping on the floor. A lid swung flat over this hollowed-out shelf. And on the lid were raised iron letters in rows.

Mary put her finger on the bottom row and spelled, out, “P A T. One seven seven ought.”

She asked Pa, “What's that spell,Pa ? ”

“It spells Pat,” Pa said.

Laura opened a big door on the side of the stove, and looked into a big square place with a shelf across it. “Oh Pa, what's this for?” she asked him.

“It's the oven,” Pa told her.

He lifted that marvelous stove and set it in the living-room, and put up the stovepipe.

Piece by piece, the stovepipe went up through the ceiling and the attic and through a hole he sawed in the roof. Then Pa climbed onto the roof and he set a larger tin pipe over the stovepipe. The tin pipe had a spread-out, flat bottom that covered the hole in the roof.

Not a drop of rain could run down the stovepipe into the new house.

That was a prairie chimney.

“Well, it's done,” Pa said. “Even to a prairie chimney.”

There was nothing more that a house could possibly have. The glass windows made the inside of that house so light that you would hardly know you were in a house. It smelled clean and piny, from the yellow-new board walls and floor. The cookstove stood lordly in the corner by the lean-to door. A touch on the white-china door knob swung the boughten door on its boughten hinges, and the door knob's little iron tongue clicked and held the door shut.

“We'll move in, tomorrow morning,” Pa said. “This is the last night we'll sleep in a dugout.”

Laura and Mary took his hands and they went down the knoll. The wheat-field was a silky, shimmery green rippling over a curve of the prairie. Its sides were straight and its corners square, and all around it the wild prairie grasses looked coarser and darker green.

Laura looked back at the wonderful house. In the sunshine on the knoll, its sawed-lumber walls and roof were as golden as a straw-stack.

MOVING IN

In the sunny morning Ma and Laura helped carry everything from the dugout up to the top of the bank and load it in the wagon. Laura hardly dared look at Pa; they were bursting with the secret surprise for Ma.

Ma did not suspect anything. She took the hot ashes out of the little old stove so that Pa could handle it. She asked Pa, “Did you remember to get more stovepipe?”

“Yes, Caroline,” Pa said. Laura did not laugh, but she choked.

“Goodness, Laura,” Ma said, “have you got a frog in your throat?”

David and Sam hauled the wagon away, across the ford and back over the prairie, up to the new house. Ma and Mary and Laura, with armfuls of things, and Carrie toddling ahead, went over the footbridge and up the grassy path. The sawed-lumber house with its boughten-shingle roof was all golden on the knoll, and Pa jumped off the wagon and waited to be with Ma when she saw the cookstove.

She walked into the house and stopped short. Her mouth opened and shut. Then she said, weakly, “My land!”

Laura and Mary whooped and danced, and so did Carrie, though she did not know why.

“It's yours, Ma! It's your new cookstove!”

they shouted. “It's got an oven! And four lids, and a little handle!” Mary said. “It's got letters on it and I can read them! PAT, Pat!”

“Oh, Charles, you shouldn't!” Ma said.

Pa hugged her. “Don't you worry, Caroline!” he told her.

“I never have worried, Charles,” Ma answered. “But building such a house, and glass windows, and buying a stove—it's too much.”

“Nothing's too much for you,” said Pa.

“And don't worry about the expense. Just look through that glass at that wheat-field!”

But Laura and Mary pulled her to the cookstove. She lifted the lids as Laura showed her, she watched while Mary worked the draught, she looked at the oven.

“My!” she said. “I don't know if I dare try to get dinner on such a big, beautiful stove!”

But she did get dinner on that wonderful stove and Mary and Laura set the table in the bright, airy room. The glass windows were open, air and light came in from every side, and sunshine was streaming in through the doorway and the shining window beside it.

It was such fun to eat in that big, airy, light house that after dinner they sat at the table, just enjoying being there.

“Now this is something like!” Pa said.

Then they put up the curtains. Glass windows must have curtains, and Ma had made them of pieces of worn-out sheets, starched crisp and white as snow. She had edged them with narrow strips of pretty calico. The curtains in the big room were edged with pink strips from Carrie's little dress that had been torn when the oxen ran away. The bedroom curtains were edged with strips from Mary's old blue dress. That was the pink calico and the blue calico that Pa brought home from town, long ago in the Big Woods.

While Pa was driving nails to hold the strings for the curtains, Ma brought out two long strips of brown wrapping-paper that she had saved. She folded them, and she showed Mary and Laura how to cut tiny bits out of the folded paper with the scissors. When each unfolded her paper, there was a row of stars.

Ma spread the paper on the shelves behind the stove. The stars hung over the edges of the shelves, and the light shone through them.

When the curtains were up, Ma hung two snowy-clean sheets across a corner of the bedroom. That made a nice place where Pa and Ma could hang their clothes. Up in the attic, Ma put up another sheet that Mary and Laura could hang their clothes behind.

The house was beautiful when Ma had finished. The pure-white curtains were looped back on each side of the clear glass windows.

Between those pink-edged, snowy curtains the sunshine streamed in. The walls were all clean, piny-smelling boards, with the skeleton of the house against them, and the ladder going up to the attic. The cookstove and its stovepipe were glossy black, and in that corner were the starry shelves.

Ma spread the between-meals red-checked cloth on the table, and on it she set the shining-clean lamp. She laid there the paper-covered Bible, the big green Wonders of the Animal World, and the novel named Millbank. The two benches stood neatly by the table.

The last thing, Pa hung the bracket on the wall by the front window, and Ma stood the little china shepherdess on it.

That was the wood-brown bracket that Pa had carved with stars and vines and flowers, for Ma's Christmas long ago. That was the same smiling little shepherdess, with golden hair and blue eyes and pink cheeks, her little china bodice laced with china-gold ribbons and her little china apron and her little china shoes. She had traveled from the Big Woods all the way to Indian Territory, and all the way to Plum Creek in Minnesota, and there she stood smiling. She was not broken. She was not nicked nor even scratched. She was the same little shepherdess, smiling the same smile.

That night Mary and Laura climbed the ladder and went to bed by themselves in their large, airy, very own attic. They did not have curtains because Ma had no more old sheets.

But each had a box to sit on, and each had a box to keep her treasures in. Charlotte and the paper dolls lived in Laura's box, and Mary's quilt blocks and her scrapbag were in Mary's box. Behind the curtain each had her nail, to take her nightgown off and hang her dress on. The single thing wrong with that room was that Jack could not climb up the ladder.

Laura went to sleep at once. She had been running in and out of the new house and up and down the ladder all day long. But she could not stay asleep. Thenew house was so still. She missed the sound of the creek singing to her in her sleep. The stillness kept waking her.

At last it was a sound that opened her eyes.

She listened. It was a sound of many, many little feet running about overhead. It seemed to be thousands of little animals scampering on the roof. What could it be?

Why, it was raindrops! Laura had not heard rain pattering on the roof for so long that she had forgotten the sound of it. In the dugout she could not hear rain, there was so much earth and grass above her.

She was happy while she lay drowsing to sleep again, hearing the pitter-pat-patter of rain on the roof.

THE OLD CRAB AND THE BLOODSUCKERS

when Laura jumped out of bed in the morning, her bare feet landed on a smooth, wooden floor. She smelled the piny smell of boards. Overhead was the slanting roof of yellow-bright shingles and the rafters holding them up.

From the eastern window she saw the little path going down the grassy knoll. She saw a square corner of the pale-green, silky wheat-field, and beyond it the gray-green oats. Far, far away was the edge of the great, green earth, and a silver streak of the sun's edge peeping over it. The willow creek and the dugout seemed far away and long ago.

Suddenly, warm yellow sunshine poured over her in her nightgown. On the clean wood-yellow floor the panes of the window were sunshine, the little bars between them were shadow, and Laura's head in the nightcap, her braids, and her hands with all the separate fingers when she held them up, were darker, solid shadow.

Other books

The Awakening by Oxford, Rain
What Are You Hungry For? by Deepak Chopra
Eat Less Fatty by Scott, Anita
Body of a Girl by Michael Gilbert
The Road to Nevermore by Christopher Lincoln
Georgia On My Mind by Stokes Lee, Brenda