She tried to tell him about the shopping malls and the cinema complexes.
He asked her where the Registry Office was. He asked about historical museums.
"You go up Blue Mont, only you can't read it, and turn right on Denison onto Clafin, only you can't read it."
"What time is it?" Jonathan asked.
"Three-fifteen.''
"What's your name?"
"Angel," she said, smiling. "Dumb name, huh?"
It's the right name, he thought he replied. Only he didn't speak. Outside there was the rumbling in the sky. Gosh, that skateboarding is loud, thought Jonathan. He went hunting.
The Registry Office was in the new county offices. Like everything else in Manhattan, Kansas, they were lost in trees. An old limestone tower rose above the new civic space. 1900, said Jonathan's inner clock, of the tower. 1976, it said of the offices, because the building was still square and flat. There were no postmodern gewgaws, no turrets, triangles or circles. There was a three-story-high portico outside it with three-story graceful pillars. The pillars were rectangles too.
The offices were air-conditioned. There was a mural over the reception desk, but it looked to Jonathan's fevered eyes like a video screen seen too close: the image dissolved into lines.
The Registry Office itself was up one flight of stairs. It was full of desks, slightly outdated equipment and enthusiasm.
Jonathan kept himself standing straight behind the counter. "I'm trying to find someone in the past," he said. He was maintaining, in the way someone on drugs maintains, by conscious focus.
"Okay, we'll do what we can for ya," said one of the women at the desks. She was about Jonathan's age, well groomed, bronzed hair cut short and swept up. Her name was Sally, and she invited Jonathan into the tiny back rooms where records were kept. The first small room was lined with shelves on which thick volumes lay flat.
"How long ago ya talking about?" Sally asked him.
"Eighteen seventies."
That did not surprise her. "Uh-huh. Do you know what section or range the people lived in? Township would help."
Jonathan didn't. He gave her the names, spelled them for her. G… A… E… L. Branscomb. Sally wrote on the sloping surface of a kind of house for records that stood in the middle of the room. Jonathan looked at the walls, at the books.
Mortgage Record, Riley County, 217
. Record of Military Discharge 3.
More huge books lay suspended under the roof of the little house. On the walls were maps, in colored sections.
"Now," said Sally. "Let me show you what the problem is." She led him to one of the maps and pointed with perfect, frosted fingernails. There was the Kansas River. There was the land, divided into squares which were divided into further squares.
"If you knew the township, we could then start to look for what sector they lived on. You see, when the land was settled, each township and range was divided up into these sectors. And each sector was divided up into quarters, Northwest quarter, Northeast quarter. Sometimes they were divided up even further."
Sally turned and reached under the roof, and with a grunt pulled out one of the huge books. Laid open, it consisted of a page to each half sector. Names and dates were written in lines.
"This tells us who had what sector when and how it changed hands," she said.
Jonathan read:
4-1-72 / Webster J.M. to Louise R.B. Rowe / Book B / page 308
"That tells us where to find the deed on microfilm. And that can tell us all kinds of stuff."
Jonathan scanned the page. "But I've got to know where I'm looking first."
"Yup," she said with a sigh.
The dates were out of order. The land seemed to change hands every two years.
"You can see how tough things were for them," said Sally. "They mortgaged the land, then sold some of it off, then bought it back, then mortgaged it again. It sure gets confusing. The deeds are great; you find out that someone couldn't pay his taxes, or someone else has been jailed."
Jonathan looked up. "That must be great."
"Oh, listen, the stuff you find out," she agreed.
Jonathan paused for thought. "How about school records?" he asked.
"Hundreds. Thousands. But same problem again, we got 'em for the whole county. I can show you."
She led him into a second room, even smaller. Jonathan suddenly saw it had a metal door. It was a safe.
Another grunt and a groan and another huge, beautiful book in leather with marbled endpapers was laid open. A sticker said: Grant and Burgess, Blank Book Manufacturers, Topeka, Kansas.
There were hundreds of schools, recorded by number, and lists of schoolteachers for each year and how much they were paid, fifty dollars a month. Jonathan looked at the tidy, scratchy handwriting done in nibbed pen. The ink had turned orange with age.
"And up there," said Sally, pointing. Along the top of the shelves ran a line of blue-bound papers. "We have everybody's school reports. I even found some of mine up there. And my mother's. But we do not have much before 1903. You see, before the levee was built, we used to have real bad floods, and almost everything was lost in the 1903 flood." She shrugged and held up her hands. "We might have some older records down in the basement."
"I've got to know where she was," said Jonathan.
"Unless you want to look through everything for the whole county. Got a month or two?"
Jonathan stood, eyes closed, thinking. "Do you keep the census records too?"
"Good," said Sally and pointed at him. She had a hunter's look as well. "But we don't have those. Hold on a sec." She leaned into the outer office. "Betty? Sorry, excuse me. Where would census records be for the 1870s?"
"Oh," said her boss, coming in, a hand lightly across her forehead. Her boss wore a suit, blue jacket, blue skirt, blue ruffled shirt. "Let me think." She looked concerned, helpful. "I think that would be the historical museum."
She even gave Jonathan a slightly better map.
Just inside the door of the Riley County Historical Museum, there was an old ship's bell on a plinth. There were some publications for sale, about the Old West. A pale young man in a nylon shirt with pens in the pocket was stapling papers together by a reception window.
"We'll be closing soon. Can I help you?" he asked.
"I," began Jonathan and found his mind had gone blank for a moment. "I'm doing some research. I'm trying to find a family who lived in this area."
The pale young man sighed. "You've only got half an hour."
"I don't have much time anyway," said Jonathan, hunter's urgency upon him. "Can I start?"
"Okay," nodded the pale young man. "Look, things are a bit of a mess. What do you need?"
Jonathan's mouth hung open. Come on, Jonathan. You have a degree in history. You know how this works.
"I need the census. Do you have a census?"
A wisp of a smile on the pale face. "I'm afraid you'll need to be a bit more specific."
No place like home, Jonathan remembered, Millie Branscomb, aged 8, 1856.
"Eighteen sixties. Eighteen seventies."
"Sure. You might as well come in," said the young man.
There were rooms to the right and left, darkened, full of displays of furniture and clothing and blown-up photographs. Jonathan and the librarian passed beyond those into a large room lined with old bookshelves of varying heights. There were tables littered with books and files. On the walls were giant maps of the county and aerial photographs of the airport. There were filing cabinets, giant staplers and a statue of a Paul Bunyan figure with a scythe instead of an ax.
"Jeannie and I have been trying to file all this stuff," said the young man.
"All what stuff?"
"Oh. Everything," said the young man. "We got all these memoirs to file, old photographs, things like that. Have a seat, I'll find you a copy of the 1875 census. It isn't all that long."
Jonathan sat down, shaking. There was a smell. A smell of pancakes. Very hot, slightly charred. Was that wind stirring his hair?
I am losing my mind, he thought.
Very gently, in the distance, he heard cattle lowing. He wanted to weep, but not from dismay. He wanted to weep from yearning. For grass and huge buttercups and the sound of air moving across distances.
"It was, uh, it was retyped," said the young man.
I'll just look her up. Here. I'll find her. Jonathan held a sheet.
EXPLANATION
In 1875 the townships of Riley County were Ashland, Bala, Grant
That's right, Bill said she didn't live in Manhattan. She lived near it. Where did Bill say?
Madison, Manhattan, May Day, Ogden and Zeandale
None of it rang a bell. There was still the sensation of moving air. Jonathan felt sick. His throat clenched and there was a nasty taste in his mouth.
"This will be fine," he said, his voice clenched. He needed air. "Can you Xerox it for me?"
"We have to charge," said the librarian's assistant.
"Okay. Anything else?"
Dear God, stop me being sick. I can't be sick here.
"Some of those memoirs. One of those memoirs, I can read it tonight." Jonathan clutched his throat. He could feel the ribs of his voice box.
"I need some air. Could I step outside, please, while you Xerox them? I'm terribly sorry. I don't feel well."
He could feel his face coated with sweat as if he had smeared Brylcreem all over it.
The librarian's assistant was concerned. "Listen, give me a couple of minutes and I'll have these ready for you. You step outside, sure."
The Riley County Historical Museum was made of plates of limestone, laid flat into the wall. It was set on a green slope, and halfway down that slope there was a barn and an old house.
1850s, said Jonathan's clock.
Breathing in sunset shadow, calming his stomach and his killer instinct, he stumbled down the hill toward the house.
It was made out of stone, obviously having grown in extensions from a smaller core. A large wooden room had also been added about the same time, now painted orange with green shutters. Another young person was climbing out of it, with a key.
"How old?" asked Jonathan. "How old is it?"
"The first rooms of the house were built in the 1850s. Do you know about the Goodnow House?" The delivery was practiced, polished.
"I'd love to," said Jonathan.
"Well, okay. The first rooms were built in 1855 when Isaac Goodnow and his wife, Ellen, came to live in Manhattan. It was called Boston at the time." She smiled. "Isaac Goodnow was a staunch abolitionist and a friend of Abraham Lincoln's. I'm afraid the house is closed for the afternoon, otherwise I could show you the envelope we have addressed to Professor Goodnow in Lincoln's own hand. The house is fully furnished with pieces either belonging to the Goodnows or to the period. The Goodnow furniture came to us through Harriet Parkerson, one of the Goodnows' two nieces who came to live with them."
"Why are there so many nice young people here?" asked Jonathan.
"Uh?" said the girl. "Oh, that's because of KSU."
It sounded like a symptom.
"Kansas State University," she giggled and made a helpless gesture. "That's where I'm studying. Um. In fact, KSU was founded by Isaac Goodnow. It started out as an agricultural college. Blue Mont College."
"Why is there brick in the wall?"
He was confusing her. He pointed. The limestone wall had a snake of brick down its front.
"That's the chimney. You see how it curves around the window? Well, that's because Mrs. Goodnow wanted to have a window there and they had to build the chimney around it. That room there is where one of the nieces slept. She was Etta Parkerson and she worked for the Goodnows. Um. We actually have her diary from that time, with photographs of the house and family. Would you like to purchase a copy?"
"Oh, please," said Jonathan, in a voice like the wind.
The girl stared at him for a moment. "Okay."
Without moving otherwise he passed her his credit card. He was leaving a trail of numbers behind him.
Then he tried to photograph the house.
30 30 30. Too dark.
"You're going to have to do it without the camera, this time," said a voice.
Jonathan thought it was the KSU student. He turned, but she was gone. There was no one there.
"You'll have to do it for yourself," said the child's voice.
The student came back with books, and Jonathan held out the camera bag toward her.
"Here," he said. "Take this. Keep it."
"I can't take this, this is an expensive camera."
"I can't use it," said Jonathan.
"Look, it's got a book of instructions."
"It will just be a burden," said Jonathan, and cast off one more thing. "I think it will keep me from seeing."
The room at the Best Western was exactly as Jonathan had hoped it would be, clean and anonymous, with a patterned quilt over the bed, and ornate lighting on a brass chain and cable TV. It was stuffy, though. It only had a huge French window that would let in both air and burglars. Jonathan had developed an unreasoning fixation about being burgled. He did not open the windows.
The room also had two doors, one leading out to the pool, the other to the parking lot. This confused Jonathan. He chained and double-locked the door leading to the pool. He went out through the parking lot door to get a Coke. He tried to get back in through the wrong door. His key didn't seem to work. He tried the key in several different doors. This caused nervous women to cry out, "Who is it?" He asked for Angel's help. "Which door did you come out of?" she asked, finally.
Back inside his room, he went to work, sipping a Diet Coke. He still thought that he needed to lose weight.
There was no Branscomb listed in the census.
There was a Bradley, D. W., blacksmith, twenty-six years old, white male, from Illinois, living in Manhattan City. Married to C. W. Bradley, twenty-four, and living with L. H. Bradley who appeared to be both five and twelve years old.
Same ages as Dorothy. Five in the book, twelve in the movie.